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Archive for the ‘Fiction’ Category
“The Difficulties of Evolution” Friday, January 9th, 2009

THE DIFFICULTIES OF EVOLUTION
by Karen Heuler

copyright © 2008 / May not be reproduced without permission

(from Weird Tales #350, July/Aug 2008)

[ Download this issue as an ebook ]

“I want to save this one,” Franka said, stroking Yagel, her youngest. The child sat in Franka’s lap, her dark eyes following the doctor happily. She chattered and waved her small hands around.

She’s my second,” Franka added. Her hand rubbed the spot on Yagel’s ribs where it was thickening.

Ah, yes,” Dr. Bennecort said. “Evan. What was he ― ten or so ― when it started?”

Yes. I thought, at her age, it was too early, there should be lots of time.”

You know it can happen at any point. I had a patient who was sixty …

Yes, you told me,” Franka said impatiently, and stopped herself. She took a moment to calm herself, and the doctor waited. He was good ― patient, professional ― and Franka hoped that he could help. She wanted to say, “I’m imagining the worst,” and have him reply, “The worst won’t happen.” She knew better, but she was hoping to hear it nevertheless.

* * *

It had happened suddenly. Franka was bathing her daughter the week before, cooing at the smiling, prattling wonder of her life. After the shock of watching Evan go, she knew she was a little possessive. Franka smoothed the washcloth over the toddler’s skin, gently swirling water over the perfect limbs, the wrinkles at the joints, the plum calves and shoulders. She felt a thickening at the ribs ― an area that, surely, just the day before had been soft and pliant.

She automatically talked back as Yagel babbled, but she felt her face freeze and Yagel noticed the difference in her touch and grew concerned, her legs pumping impatiently.

And Franka couldn’t keep her hands off her, touching, touching the spots that were changing, until Yagel began to bruise, and Simyon told her to go to the doctor. He said it coldly. He felt the spots that Franka felt, and he holed himself up deep inside, leaving Franka to find out the truth alone.

She’s my second,” Franka whispered to the doctor. He’d been highly recommended by Deirdre, who had three emerald beetles tethered to her house, buzzing and smacking the picture window when the family sat down to watch TV. “We know their favorite shows,” Dierdre said. “We know when they’re happy.”

Franka didn’t want Yagel to end up like that, a child-sized insect swooping to her and away, eating from her palm. She wanted Yagel to end up a little girl.

Time will tell,” Dr. Bennecort said. Time, and blood tests. Yagel screamed when the needle went in, but she forgot it all when given a lollipop. Maybe everything was still all right.

A month to get the results. And packets of information, numbers of people to talk to, a video explaining the process. He forgot she already had all this, from when Evan changed.

She didn’t look at any of it, and neither did Simyon.

I don’t want this to happen,” Franka whispered to her daughter, day and night. Yagel cooed back.

Don’t you think you could love her, no matter what?” Deirdre asked cruelly when she came to lend her support. She so seldom left her home; she preferred to stay close to her emerald boys. Some people let their children go when they changed, gave in and released them. Took the ones that swam to the sea, and the ones that flew to the hills. The lucky ones kept the cats and dogs as pets ― not such a change, after all ― and put the ponies in the yard. You could wish for the higher orders; you could wish for the softer, cuddlier evolutions, but you couldn’t change what was meant to be.

But whatever they are, you love them, still,” Deirdre said.

* * *

The three emerald beetles were about the size of a five-year-old child. They lifted and fluttered up and hit the window sometimes three at a time, with whirring thuds, they pulled to the ends of their cords, their green wings pulsing.

My dears, my sweets,” Deirdre thought as she stood on the inside of the picture window, her fingertips touching the glass as they swooped towards her, their hard black eyes intent. “My all, my all, my all.”

She put out bowls for them, rotted things mixed with honey and vitamins, her own recipe, and rolled down the awning in case it rained, and went to Franka’s house when she called, where she found her friend with her child in her arms.

Feel this,” Franka said. She rubbed a spot along Yagel’s ribs. “It’s thicker, isn’t it? Not like the rest of her skin.”

Deirdre took her fingers and delicately felt the spot. It felt like a piece of tape under the skin ― less resilient, forming a kind of half-moon. “Yes,” Deirdre said. “Maybe. It could be anything.”

Evan was ten,” Franka whispered. “And she’s only three. Your boys ― did it happen at the same age for each?”

Deirdre shook her head. “Every one was different,” she said, trying to find the right thing to say. “They’re always different.”

* * *

Every day, Yagel’s skin thickened, making her arms and legs appear shorter. She no longer tried to stand up: crawling seemed to be more efficient. The first thick spot on her back now had a scale-like or plate-like appearance. Franka went to the library and began to look through books for an animal that matched: armadillo, no; rhino, no. And not elephant skin either. She skipped over whole sections, refusing to look at tortoises, lizards, snakes.

They were taught evolution as children, of course ― the intimate, intricate link of the stages of life. Ameba, fish, crawling fish, reptile; pupa, insect; egg, bird; chimp, ape, human; all the wonderful trigonometry of form and function. The beauty of it was startling. However life started, it changed. You were a baby once, then you’re different. Each egg had its own calling; no one stopped.

How beautiful it was to watch as characteristics became form, as the infant with a lithe crawl became a cat; as the toddler with the steady gaze became an owl, as the child who ran became a horse. It was magnificent. Her own brother had soared into the sky finally, a remarkable crow (always attracted to sparkle, rawkishly rowdy). She had envied him―his completion. She had stayed a child.

Still. Maybe it was less than magnificent when it was your own child. Or it was some deficit of her own. Simyon told her gruffly, “Babies grow up, Franka. You know they change. You don’t decide when it’s time for them to go; they do. When it’s right for them. Not for you.”

He was not a sympathetic man―but had that always been true? No. He used to be interested in her worries; he used to want to soothe her rather than lecture. Although―she told herself ― he was dealing with it, too. Both children evolving; leaving. So quickly gone. Of course it was hard for him, too.

She remembered her own brother’s meta-morphosis as a magical time―she had leapt up out of bed each morning to see the change in him overnight: a pouty mouth to a beak; dark fuzz on his shoulders into feathers; the way his feet cramped into claws; the tilt of his head and the glitter of his eye. It had been wonderful to see him fly, leaning out the window one minute, through it the next.

Even in the memory of it she heard her mother’s faltering cry. How stodgy her mother had seemed.

She leaned over Yagel. “I will always love you,” she confided to the child’s tender ear. Yagel poked her tongue out, clamped her arms to her side. “Always, Franka repeated. “Always.” She kissed her on the neck and bit her ear tenderly.

Her neighbor Phoebe had two girls, neither of them evolved. She looked pregnant again and Franka went over to talk to her. “I think Yagel is evolving,” she said. “You’re so lucky.” Of course it was wrong not to accept her children as they were, but she felt it in her, a deep reluctance to let go.

Phoebe nodded. “It’s so nice to have them at home for so long, yes. Of course there’s so much beauty in the changes ― you know Hildy’s girl?” Franka nodded. “A lunar moth. Elegant, curved wings. Extraordinary. Trembling on the roof. Hildy’s taken photos and made an incredible silkscreen image. It’s haunting. I look at some of the changes and it feels almost religious.”

Phoebe’s face looked dutiful and Franka knew a lie when she heard one: the false sincerity, the false envy. It was always better to have children who stayed children, and not some phenomenal moth. And when they changed, there was always a judgment. No one really said it, but it was there. The mothers of sharks would always weep. Children who didn’t evolve were more of a blessing, no matter how basic it was to evolve.

You’re too possessive,” Simyon said, hunched over his dinner. He was eating quickly, tearing at his food. “Life is change.” He finished his meal and prowled down the hall, going into his daughter’s room, sniffing and blinking. “Reptile,” he said, coming back. “Cold blood.” He went off to watch his TV.

She drove around the next day, slowly. There were cages everywhere, some of them immense and gothic. There were new ponds, and short bursts of trees. A huge, exquisite ceramic beehive stood next to a garage. She heard the trumpet of an elephant down the next road, and the scream of a peacock.

As she drove, heads poked from the corners of garages and from behind gazebos, some of them not yet completely determined. She made a mental note to remember where they were, in case she needed them. For Yagel.

Sometimes the changes were slow, and sometimes the changes were fast. Yagel stood up again and walked like a little girl―stubby, but a little girl. She described every event of her day, repeating the things the other little girls had done, describing how one of them grew a bandit mask on her face and sometimes washed her food before eating.

She’s all right,” Simyon said stubbornly.

I’m afraid for her,” she said, and her voice sounded thick. Simyon’s hard, bushy eyes stared at her, ticking down her body, studying her.

Maybe Yagel would never change; maybe this was just her version of a little girl. Some evolved early; some evolved late. Every morning she counted Yagel’s fingers and toes, and then she counted her own. She longed for nighttime and the rise of the wind, for the moment of freshness at the start of a storm.

She was beginning to sense her own change and was surprised one day to look at Yagel and consider how fragile she was, how available and simple her neck looked, how fatty her arms and how ample her thighs. She caught new angles when she saw her face in the mirror, a starkness that hadn’t been there and now struck her as cunning. She went to the top of the stairs and stared down them; she looked out the windows and her eyes caught the blur and skitter of countless beings, hiding behind and under things. She no longer cooked her food and finally Simyon coaxed her out with promises of meat, and locked the door against her.

* * *

She had skin stretched tight across the bones that pulled out from her shoulders, a hard elastic that wrinkled only when she pulled in her elbows firm against her ribs. When she stretched her arms out it was not possible to fight the tug, stronger than blood, that lifted her, or dropped her from great heights when she’d already been lifted. When she fell, it was with a liquid plummet, streamlined and terrible, her jaw slicing the air, her eyes tricking out every detail. Each movement in the air was adrenaline: she was pure and fast and vastly hungry. When she sighted her prey she started out silent and swift but just before she struck a large chaotic cry burst from her, turning the prey’s eyes up, freezing their limbs. Just like that, food.

Small and furry; fat and hairy; clothed and crying; it didn’t matter. The power was hers and in the air and right; what she could take was meant to be taken. High up, on the tips of the buildings, she could feel it all move beneath her, each little tiny patter, each needless drumming word. They soon took to rifles and guns and arrows, and she slipped behind buildings, faster than they were, and took them out when they pointed to where she’d been. As if she would ever stay where she once had been.

This was what she was meant to be and she filled her throat with the joy of it.

Karen Heuler’s story “Landscape, With Fish” appeared in the January/February 2008 issue of Weird Tales. She has published two novels and a short story collection, and has won an O. Henry award. Her latest novel, Journey to Bom Goody, concerns strange doings in the Amazon. She lives, writes and teaches in New York.

“Wendigo” Friday, January 9th, 2009

WENDIGO
by Micaela Morrissette

copyright © 2008 / May not be reproduced without permission

(from Weird Tales #352, Nov/Dec 2008)

[ Download this issue as an ebook ]

Dinner was special. The candles were miraculous, emanating a light that went oozing into pores, piercing into strands of hair, that found its way inside the thin glass of the champagne flutes, the rough, quartzy crystal of the punch bowl. Nothing glittered, nothing sparkled, nothing shone. Everything glowed, everything throbbed. The other guests did not smile, but they radiated pulses of tender heat in her direction, until her cheeks were mottled red. Each course in the banquet had an aura that hung heavily over the platter, like steam weighed down with globules of grease, thick particles of oily light.

She swallowed the wine that paused in her mouth, clung there, spreading itself. She swallowed the black soup: thin, sour broth swimming with clots that trailed delicate filaments. She swallowed the tempura of cobra lily, and, inside its cup, the pale, limp moth that seemed to sigh and dissolve on her tongue. When the songbirds were served, her gracious companion, sensing her confusion, placed a steadying hand on the back of her neck and guided her head under the starched napkin. She ate the scorching meat, needled with tiny bones her teeth had splintered. She felt little ruptures where they scratched her throat. Her companion was missing the fifth and second fingertips of his right hand, the entire middle finger of his left. Bluntly, blindly, fondly, the stubs knocked against her skin. The manservant brought the baby octopi in shallow bowls filled with, her host informed the company, vibrio fischeri, which sent a faint gold-green luminescence throughout the water. She dipped an octopus in the spicy sauce and trapped it lightly between her teeth. Its small heavings and sucks brushed against the pads of her cheeks like tiny kisses. She kissed back.

The main course was a roast: mild, slightly stringy. Sweet bursts of fat jetted from the sinews as she chewed. The light in the room was so dense it oppressed her; she could barely see through it. Food filled her stomach like air in a balloon; the heavier she grew, the higher above her chair she seemed to float. Her solicitous companion murmured an inquiry; it was decided they would leave before the dessert. She deposited her hand in that of her host. Rivulets of sweat trickled through the plump seams in his palm. He twinkled and beamed at her with his eye; the side of his face where the eye patch adhered remained stolid. In the car, she sniffed at her fingers, still slick from her host’s farewell; they smelled like earth newly turned over: fresh, rich, heady. The smell seemed to cleanse her palate: her eyelids spasmed in the bottomless night; her stomach wrenched in sudden appetite.

* * *

In the morning she woke with a head that felt stuffed with cement, cracking and crumbling against the inside of her skull in jagged pressure. Her bedroom was narrow and spare, the walls shrunk tight around the heat that came shrieking and spitting from the iron radiator. She scrabbled frantically at the window; it screeched open in a flurry of dirty paint chips, and the air shoved in, knocking her aside, gnashing at her shrinking skin. She sank down, flinching at the grit that bit her legs and hands, and entered her stretches. Inflexible, she tore tentatively at her muscles, lunging forward with shallow gasps. Compelling her forehead to the floor, she felt frustration lash up her spine and stab the back of her neck like a handcuff snickering tight around her straining.

The bathroom smelled strongly of the new plastic shower curtain. She brushed with her lips pursed around the handle of the toothbrush, preventing the froth from running out over her chin. Her skin was getting worse. Her face, which at sixteen had been so pure and watertight, was at thirty-three beginning to boil and leak. Her virginity, which had been withered, dry, and hard, was beginning to rot and extrude. Like a 1,000-year-old egg, it had softened, become pungent, delicious, disgusting. She tapped against her pubis with one finger. She flattened her palm against her stomach. “Somewhere in there,” she said, “like a little dead baby.”

She hobbled out in her matted pink robe, cleared the table of its ketchup-caked refuse, cooked three strips of bacon, which she ate with the fat still gelatinous and slightly cool. Her professional wardrobe was consistent: slacks, with leggings underneath to intervene against the scratch of the wool; a cardigan; another cardigan.

On the bus she leaned her head against the window so the jolts of the motor and the road chattered her teeth together. She tried to give up her seat to an expecting mother, but the woman didn’t want to sit there. When she entered her cubicle there was an unfamiliar odor: creamy, sweet, powdery. Later in the day she could only smell it by whirling her head suddenly to the side. Her new colleague across the aisle caught her doing it and laughed. He had laughed the day before, too, at her dispersal of pillows: one on the seat of her folding chair, one at her back, two under her feet, one on her desk for her elbow to rest on. He had a gaping laugh, this new colleague, she could see the hole at the back of his mouth, he opened that wide. It was delightful. She thought of smiling at him, but resisted. Her smile, she knew, was crooked: it had a forced quality. Nonetheless, pleasure rocked through her in slow waves at the trust implicit in her new colleague’s exposed gullet. She settled for beaming at him with quiet kindliness. When she swung around, she checked her beam in her little round mirror. There was a grimness to it, in the set of the jaw, but something in the eyes, she thought, that was accurate.

* * *

Her elegant companion invited her to accompany him to the grocery store, and she accepted. “Dress warmly,” he counseled. He drove for hours in the dark, the headlights spinning uncertainly off the broken curbs, the sharp teeth of the stoops, the strobing telephone poles. The supermarket was in a bad neighborhood, but vast, swallowing several city blocks. Homeless were encamped at the intersections of the aisles. They each took a cart and moved quickly to the meat department, looking neither left nor right. The meat department was a gargantuan walk-in refrigerator: the space so enormous and the cold mist so dense that she could not see from one wall to the opposite. They did not leave each other’s sides. They did not speak or touch. They filled their carts: chicken, goat, bear, salmon, pork, lamb, conch, squab, rabbit, shark, beef, veal, turkey, eel, venison, duck, mussels, ostrich, frogs, pheasant, squirrel, seal. Tripe, kidneys, liver, tongue, and brains. She suggested the purchase of some lemons and marinade; he reproved her cordially.

She helped him load the boxes into the service elevator of his building; then he drove her home. Outside the door of her apartment, probing her bag for her key, she discovered he had slipped in a small package of pancreas sweetbreads: a token. She tucked it beneath her pillow and dreamt all night of the beating of her heart.

* * *

The new colleague sat at her table in the company cafeteria. She had a Ziploc bag of cold shrimps, while he had brought a Tupperware of deviled eggs, each half in its own hollow of molded plastic, which he ate by forking out the middles, then peeling off cool white wedges of the whites.

The new colleague had been transferred from a branch of the firm located in another state. He described himself as “corn-fed.” Moving to the city had not been as difficult as he had anticipated. There were lots of ways to meet people. He had joined a church choir and was taking a photography course. The first half had dealt with still lifes; the second was on snapshots. He produced a picture he had taken of her in her cubicle. She looked as if the flash of the camera had struck her across the face. It was flattering. She wished she had known it was happening. “It’s out of focus,” she said. He smiled. He said, “That’s artistic.”

“Are you a good singer?” she asked. He used to be incredible, he said, before his voice changed. It had been his whole life. It had given him a kind of spiritual mission, as a kid. He was a very mature child. He felt he had been charged with something. After his voice changed, he felt neither release nor despondency. At that point, he stopped considering things like blessings and missions. He became childlike; he lost the habit of thinking much about himself or the things that happened to him. “What about now?” she said. “Do you wish you had become a castrato?” Behind his tongue, his throat was roseate, and the flesh there jerked with his laughter.

When at the conclusion of the meal she folded her Ziploc bag, sealing in the salty film of pink water, and began to rise, he forestalled her, and took her garbage with his to the trash receptacle. She did not reflect on the contact their hands had made during the exchange until, late that afternoon, she noticed him scratching feverishly at a rash that had swollen across the range of his knuckles. She wished she had remembered beforehand to think of it.

* * *

The door of her apartment shuddered with the force of the knocking of her illustrious companion. When she flung it open, he staggered in, holding up his right hand. The tip of his index finger was flapping there on a strap of skin. In his left hand was a plastic grocery bag. “Take it off!” he said, in a voice admirably controlled, if keen in pitch. She got him into a chair at the kitchen table, and placing a skillet under his hand to catch the blood, snipped off the fingertip with her nail scissors. She swathed the stump in toilet paper and tied dental floss tightly around the base of the finger to stop the bleeding. He whistled in relief, and pulled a rueful face. He lit a cigarette, picked up the grocery bag from the floor beside his chair, and jiggled it merrily in the air. “Would you care to dine with me this evening?” he inquired.

She set the table while he busied himself at the stove. He had removed his tuxedo jacket and tucked a dishtowel into his collar to protect the pique bib of his shirt. While his back was to her, she glanced covertly around the apartment. But everything seemed to be in place: the sag of the couch springs had a decadent grace, like a courtesan in the half-swoon that succeeds a debauch; the buzz of the fluorescents was textured and complex, a Gregorian plainchant heard from across a great distance. Water stains undulated across the ceiling, like tentacles of a translucent sea-monster half glimpsed through immense currents. The smell from the cooking wove an intricate web from wall to wall; she felt it smothering against her nose and mouth, rich with the scents of ingredients that surely were absent: zedoary, fenugreek, frankincense.

He brought the skillet to the table to ladle the meal, still bubbling, into their bowls. Without ceremony, but gravely, he maneuvered the digit into her portion. Her genteel companion had extracted the nail, or it had dissolved. She speared the tines of her fork through the nailbed, and ran her tongue across the pattern of lines on the pad of the finger. She inserted the portion into her mouth and sucked off the dark, congealing stew. Her companion’s breaths were audible and steady. She removed the part and considered its form, then inserted it again and began, with small strokes of her incisors, to shuck the nugget of flesh from the bone. There was not much meat there, but once she had it all behind her lips, it seemed to fill the space of her mouth. It tasted like her tongue, her gums, her cheeks. She was nervous to chew; she was afraid to bite down on her own tissue. She swallowed it whole. The rest of the stew had the taste that had been drained from the finger: savory, ripe, and plummy.

Her companion, always immaculate, kissed her hand at the door. “Your hospitality,” he purred, “such a gift.” She said, “Thank you for dinner.” “Leftovers are in the fridge,” he smiled, and backed out into the oblivion of the unlit hallway.

In the middle of the night she woke and stumbled clumsily toward the kitchen. The smoke from the cooking still curtained the windows, gagging the weak light of the streetlamps. She forgot in her haste the jut of the walls, the menacing corner of her bookcase. She poured the remains of their supper into a half dozen mugs and bore them on a tray into her bedroom. She drank them off in the dark, propped on her pillows, then dreamed she was inside the stomach of a whale.

* * *

Her skin was much worse: abraded, blistered, mucid, rubicund. Her eyelids were swollen and tears of pus welled up in the depths of the sockets. Her chest was hot as if sunburned; when she pushed her hand against the breastbone the imprint did not fade away for some minutes. During her stretches, bending over at the waist, she could feel the satiny slithering of her organs over each other, the horrible pappy give of them. The putrification of her virginity shocked her with its rapacity and virulence. Her hair was broken and thin. It floated in the air, repelled by the electric charge of her damp scalp.

The fever was constant and she fed on the extra degrees. She was bright and alert and vibrating. She took measures. She packed the bathtub with ice and slept in there one night. When she awoke, the swelling around her eyes had shrunken, her face and chest were pale, she was hard and smooth and cold inside and out. She was tremulous with gratitude. But the thawing nearly crippled her. She had to leave work early, as much so that her new colleague across the aisle would not actually hear the sharp cracking and rending in the marrows of her bones, as because of the savagery with which the molten brimstone of her decay attacked the frozen blocks of her limbs.

She began swimming, trusting that she was not infectious, visiting the heavily chlorinated YWCA pool at senior citizens’ hour, in enormous goggles and a latex swim cap. The chemicals in the water helped her face. She submerged and held still, and could see the bubbles race up from her cheeks and chin, hear the hypochlorous acid hissing against her skin. Her complexion lost its rawness, though it was still pitted, and the skin now flaked away in fragile, dusty layers. Inside, however, she continued to rot away.

At last she began swimming in the city bay at night, naked. The water was syrupy, warm, stinking, and crowded with objects she did not identify, which nudged her meekly, skimmed along the side of her body, and were dragged on and out by the slow, mild movements of the sea. She floated face down or up, legs and arms open, and felt the sludge of the bay flush in and out of her. She rocked calmly in the wake of garbage tugs or police speedboats. She didn’t know if the high toxicity of the bay really had killed her virginity once and for all, or if the organic soup of the water, crowded with things living and dead, had simply calmed its hunger, given it to feed. Whatever the case, her fever dropped, her blood thickened and slowed, her organs grew leathery and dense, her pustules shrank into her pores. The only stain the water left on her was a distinctive smell, salty and dark, that plucked constantly at her hunger; and a dull, muddy smear, like a skin, that covered the orbs of her eyes.

Her charming companion invited her to a gathering of intimates, something special and private, he said. She was to wash her hands and wear old clothes. He drove. The headlights poured out like floodwaters submerging a condemned city. They arrived at their destination in no time at all.

She was happy to revisit the home of her amiable host, though the dining hall was not suffused with radiance on this occasion, and the atmosphere did not bewilder her with scents that choked the air. Nonetheless, she was struck anew by the welcome implicit in the cavernous chambers, which never threw her footsteps back at her in repulsing echo, but muffled sound in their embrace, opening gladly to her ingress and to that of her astonishing companion. The smell of her hoststorm-soaked sediment, shrinking fungi, nacreous gastropodstrembled shyly in her nostrils.

In neat array around the empty banquet table, the other guests awaited her arrival. They too were dressed shabbily, in torn jerseys, paint-stained singlets. Again they did not smile, but she felt their geniality drift warmly over her, tickling her hair. She took a seat beside her magnificent companion, and on that cue the great doors opened for the manservant, wheeling in his late employer on a gurney sumptuously draped.

Her host was thickly glazed with pomegranate sauce, and flushed livid from the boiler, and legless, but otherwise was all she had rememberedmassive, calm, beatific. An affectionate drone, a deep, low appreciation, rose from the company. A tall, angular woman, drenched in hair, stood to speak. “Loving,” the woman pronounced. “Inspired, messianic, but gentle. Always with us,” said the woman, “a comfort and a rare delight.” The guests touched each other’s wrists and shoulders with whispering care. The manservant, reverential, slid his employer’s corpse from the gurney to the table. The bounteousness of the body of her host brought a part of him within easy reach of each pair of tender hands.

The guest to her left noted her hesitation and leaned in, sharp, wry, and twinkling. “Don’t hold back,” the guest advised. “It’s our gift to him.” She asked, “And his gift to us?” “Oh, particularly that,” crooned the guest. “When I knew that I was going to lose my baby before term, I came straight here. You can’t imagine what it did for me, all my dear friends taking in the little half-body, holding him in the warmth of their mouths, giving him sanctuary. My role in it was an act of necessity, of course. Getting him back where he belonged. He was always part of me. But our friends, our host. Ah, our host,” sighed the guest. “He wasn’t tasty, you know, my baby boy. He was raw, immature, flaccid, an inharmonic composition. But now I think I can taste him in our host, completed, ripened. A small fresh note, like a little pocket of lavender snuggled in among the fat of the flank here. Can’t you taste it? Ah, our host. He gives and gives.”

She reached out and, digging her nails into the crease of her host’s breast, tore a tendril from the body. “Be sure to chew,” the guest prompted anxiously. She chewed. Her host smiled inside her mouth. “He’s delicious,” she said.

“Ah, he’s delicious,” hummed the guest. With a hurried flick of the tongue, the guest caught a rivulet of their host where he was racing from wrist to elbow. “He always ate for this moment,” said the guest. “He primed himself for us. Such munificence!” said the guest. “Such benevolence!”

When the funeral was complete, the host was a tattered thing, and the guests were smeared with sauce and peppered with black flakes of charring from the skin. Sated, exhausted, elated, and mournful, they reflectively sucked the fibers of flesh caught between their teeth.

This time her regal companion had the honor of taking her into the parlor for coffee and dessert. A Black Forest cake was served, the host’s favorite confection.

* * *

Coming late into the company cafeteria, she joined the new colleague for lunch. She had just purchased a stout block of shrink-wrapped foie gras; he had arranged the ingredients of his meal on an unfolded square of butcher paper, and was spreading tuna salad on crackers, crowned with thin wafers he cut off a radish. He drew her attention to the sores on her mouth. A new nervous habit, she explained. Her lips were shredded and mangled with teeth marks. It must happen during sleep, her colleague suggested. He had never seen her do it at her desk.

His photography course was proceeding well; he spread out on the table the latest additions to his series of portraits of her. Undoubtedly, she was losing weight. The hinge of her jaw protruded with a truculent insistence; her shoulders were mean, angry splinters that snagged at her sweater. Her posture was impeccable: paralyzed. “MissingHave You Seen This Woman?” she said.

Her new colleague sputtered with glee and cut cleanly through his radish and into the ball of his hand. He coughed in surprise. The blood beaded and hopped on the waxed paper, like spit on a griddle. She moved quickly over to his bench, and secured his wrist in an efficient grip, and sucked at the cut.

“Oh, my god!” said her new colleague. “Please stop that!”

“What?” she said. “I just thought, the radish juice, I thought it might sting.”

“Well,” said her colleague, “that’s thoughtful, but I really can’t ask you to do that. You’re too kind!” he said, laughing and shaking his head.

“It’s okay,” she said. “I would want someone to do it, to help me, in a similar situation. Look,” she said, picking up his paring knife and drawing it cleanly down. She held her palm up to the ceiling and tilted her arm so the flow ran neatly into her sleeve. “You can make it up to me,” she said. She maneuvered awkwardly to bring her hand to mouth-level without dripping blood on the tan slacks of her colleague.

“No!” he said. “I’m getting the first-aid kit. Just hang on!” he said. “Keep your hand elevated.”

Sadly, she considered the wastage of her blood, soaking through the acrylic of her cardigan onto the tile floor. Her colleague wasn’t returning with first aid, and finally she sealed her lips over her palm and began nursing the wound. Her blood was better than his: strong, fermented, with a bitter, gritty strength and a distant note of figs and honey. His was sour, with a pickled sharpness like cut grass; a stale dustiness, like a glass of water left all night on the bedside table; and a slick coolness, like broken glass. Hers numbed the flat of the tongue, like strong tea; it stroked the inside of the esophagus, like horehound syrup; it moved in the stomach, she could feel it stroking the walls, coaxing her hunger. She took the afternoon off and went home to eat.

* * *

She returned repeatedly to the supermarket in search of her distinguished companion. At last he strolled in, urbane, guiding his shopping cart with the tips of his fingers, light, tasteful intimations of pressure. At the sight of her his face broke apart in amazed enchantment. Beside him was a young girl, still plump, with stippled indigo circles sagging ponderous under her eyes. “Am I interrupting?” she said. “My dear,” replied her companion, throatily, “what a question.” He leaned forward to kiss her cheek; she felt his busy sniffing at her neck. He retracted from her, his profile pivoting this way and that as he searched the air. “Child,” said her courtly companion, “have you been plundering your harvest? You have been dining in?”

“Once,” she said, “twice, three times. I wanted to see if I was tasty. I am,” she said, “ambrosial. I wanted to know if it would be an insult to offer

“This?” said her lustrous companion, running his fingernail across the zipper of her handbag. She scrabbled briefly, it was wedged between her change purse and her date book, but at last she produced it without embarrassment, with a cold dignity, the item crumpled in cling wrap, a pasty purple, bruised and browning at the edges. “Hymenaeus,” said her companion, warming it between his hands. “The son of Aphrodite.” His smile tumbled over her, eager and youthful; she had to brace herself against the weight of it. “You have made your decision?” asked her devoted companion. “This is something that would never have been asked of you.”

She put it to him: wasn’t it true that her rapacious and unremitting hunger was fueled by her feeding? Was it not the case that, having been devoured, she would be full? “Little wendigo,” said her refulgent companion, “it is so. For a time, indeed.”

* * *

Her companion had counseled her to eat, but she would not eat. He came to her apartment bearing gifts: a shapely thigh, a breast fulsome with milk, a smoky, musky phallus; but she merely measured off frugal doses of her blood with a syringe and dispensed them gingerly into the plastic tops of cough syrup bottles, marked off in tablespoons. In the gray, silken evenings they sat comfortably on her couch and sipped in companionable silence. She asked whether her blood did not give him the hungers, but that, he said, was what he liked it for. Disrobing with supple tact, her considerate companion displayed the sliced planes of his buttocks, the half-moons where his torso had been spooned out like a melon. She inquired why it was their fellows had so far declined with gratitude the offering of her own parts. “You’re still such a virgin, little one,” said her loyal companion. She pinned him with sharp eyes. “The flesh eaten still on the living body,” he told her, “there is the union.” “Your finger, our host, my hymen?” she asked. “Fellatios, my sweet,” lisped her companion. She eyed the swell of his forearm with avarice, the muscles coiled in knots under his slippery shirt. “Not me, my darling,” he said, and lifted his remaining finger to tick-tock through the air in drowsy admonishment. “You make your own way; then you come home.”

* * *

She turned and looked full into the stutter of the camera of her colleague. He berated her. “That’s not spontaneous!” He insisted that the project set for the class was for the photographer to be the hunter, and the subject the prey. That made it edgy. “Oh,” she said, “you’re not hunting; you’re farming. Picking off creatures grazing at pasture, dull in contemplation.” She struck a candid pose, lips slightly agape, eyes askew, her expression garbled, transparent and opaque, like a muddy pond. He was discontent. If she stalked the camera, he reasoned, if she had him in her sights, while he had her in his, that skewed the terms of the assignment. “True,” she conceded, “that’s not hunting,” she said; “that’s war.” He snapped her picture. “Caught you!” her new colleague crowed. “Let’s eat,” she proposed. She had forgotten to pack a meal, so he accompanied her through the lunch line, selecting a Charlotte of Bavarian creme and ladyfingers, while she consumed a Manwich.

* * *

She escorted her exquisite companion to the city bay where they sat on the dock, shoes off and pants rolled to the knees, smiling at the disparity of their feet in the water, hers crumpled and dented and damp from her pumps, his slender, prosthetic, dove-gray. The bats in the twilight were reckless and extraordinary; the seagulls had hidden themselves but called out fierce and lonesome, like the whistles of locomotives on the track of the tremulous far horizon. They had purchased small waxed envelopes of sweet, crispy nuts. She swallowed hers nearly whole, while he chewed his bites minutely and spat them out in neat piles on the gravel shore.

Her companion was wistful. The fine engraving of his face looked stony and the quizzical glances and debonair moues by which she knew him seemed painful to execute. She reached in experiment to probe the softness of his cheek and he winced, a tremor of delectable fineness and subtlety.

“Melancholy,” her companion apologized, “a disease not commonly recognized as having its origins in exposure to freshness of air. I am so little accustomed to the pathos of the junction of the land and the sea.”

He was sorrowful, wondering, his chin tucked into the refuge of his collar, his cowlick sprouting in the salt spray like that of a small boy.

“Don’t,” he chastised her, “feel maternal. You can’t imagine the monsters in those deeps. That is so much more dangerous.”

“More dangerous than this?”

“There’s little danger here.”

“Is our safety so assured?”

“Au contraire.” He was amused again, his mouth twisting and curling to savor the joke. “It’s our downfall that’s reliable.”

She was comforted. She wedged herself against him, and he allowed this, though she could feel the warmth on her shoulder where a suture on his breast had wrenched open with the nesting of her weight. The bats were sucked upward into the sky, caught by the magnetic pull of the stars, and the mosquitoes rushed in, enveloping the happy couple, and falling in quivering piles to the dock, all around them.

* * *

She woke at the first stain of sunlight on the face of the sky and slithered to the floor to enter her stretches. They came more easily now that her muscles were drained and limp and she laid her cheek between her legs against the floorboards and sniffed the old gasoline smell of the paint; the gamy traces of her footsteps; a cloying, pulpy odor of breakfast in the apartment below. In the bathroom, she brushed her teeth, tilting her chin back to cup the toothpaste in her mouth, staring down her nose at the mirror. This gave her an accusing look. She made a kind, understanding face that returned to her as a nauseous leer. She giggled. In the shower she ran the water so hot it nearly melted the glue that held her skin to her substructure. Her flesh slipped dangerously over its ligaments. “Oops,” she said.

She had recently treated herself to a French press and, swaddled luxuriously in her old pink robe, she tipped in the beans she’d ground the night before, and punished them with water at a rapid boil. Setting the egg timer to four-and-a-half minutes, she dressed for work: leggings, slacks, two cardigans. She relaxed at the table with granola and berries, slapping back the unfurled and flapping wings of the newspaper. A merry little robin perched on her windowsill, stabbing with its beak at its reflection in the pane.

At work she attacked the keys of her calculator with especial vivacity, tapping her rhythm into the brain of her new colleague. She broke a light sweat, and several pencil leads. The chalky scent of her perspiration, buoyed on a cloud of lily-pale eau de toilette, made its way across the aisle. Her hair was hectic with static. She kept her best three-quarters profile toward the door of her cubicle, and never looked round.

Her colleague invited her to an after-work aperitif. He had a Bloody Mary; she enjoyed a Cinzano. His photography course was finished; he would move on to sculpture in just a few weeks. He displayed the final array of photographs on the tabletop. There she was, blinking, flinching in all her poses. “You see,” he chortled, “it was better when you didn’t know I was taking them. You came at the camera,” he said, gesticulating, “in a flurry of fear. It was kinder, after all, to take you unaware.” She concurred with her new colleague.

He fell asleep with the lights on. If the patchwork of her body, the scars of old decay, the faint sifting and rattling sounds of shriveled things within her, had worried him, he hadn’t shown it, and she would now require the illumination for precision. She had discovered that the area least sensitive to touch was likely to be the back of the shoulders. She inserted the point just above his scapula, turning the flat of the blade parallel to his skin, and cut two sides of a small triangle. Without completing the figure, she lifted the flap, hovering above him in an unwieldy posture, propped on her knuckles, and chewed the skin. She was careful not to sever it, as she did not want to have to cut another piece. The living, she noted, did not have as much taste as the dead. He was tough and elastic. And she could feel the muscles shrinking away from the grind of her teeth. When she had at last reduced the flesh to a small, spongy lump, sticky but bloodless, she yanked it offhe snorted slightlydropped it in the trash can, wrapped in a tissue; drank a glass of water in the crackling light of the bathroom; dabbed on a touch of lipstick; and locked the door behind her as she went.

* * *

She had never eaten so well in her life. They brought her sweet, sticky rice; curried cauliflower delirious with coconut milk; jungles of spaghetti, mired in Alfredo sauce; pinto-bean chili black with molasses. For a long time she would not touch meat, not trusting the source, but then they began to carry in animals roasted whole: a suckling pig, turned on a spit; an infant lamb in a roasting pan, its hooves tucked in trustingly; turkeys spilling out oysters; crabs crusted in ethereal salt; and these she felt safe in consuming. She promised she would sit very still, so they cuffed her only by one foot; and she kept her word, burrowed in somnolent complacence in her featherbed, in an endless drowse, basting herself for her banquet. She was stupefied, seduced, but she knew herself to be tempting, was confident their mouths would water for her. She waited, and every day she grew more ardent.

She had little idea of the passage of time, and when the temperature in her cell began to rise she wondered if summer was finally upon them and if they were saving her, perhaps, for a midsummer feast. The intensification of the heat was, however, accompanied by great commotion in the hall, by the repeated jostling of doors and the thumping of wheels over uneven ground, by the smell of outdoors, lichen and bark and wood sap, and finally, it came to her, a far-away rushing sound, a flickering, hissing, panting growl, like the anger of the surf.

To her beautiful companion, who came every day to see her, she said, “Something is not right.”

Her companion asked if she was weary of waiting. He had lost his nose, and his face, always a ravishment, was now even more moving to her, a stately ruin sliding down the cliff of his skull to the sea beneath. She denied his imputation. She was eager, she said, but not weary. She would do whatever was necessary to be most pleasing to the company. “Only,” she said, “they have built a fire.”

Her faithful companion assented to this conjecture. “A very large one,” he said, “they began it in the dining hall, with the banquet-table, and they have been piling wood on for days.”

“I thought,” she faltered, “that I was not to have been slaughtered first.”

Her companion considered the suave line of his shoe. He tugged sadly at the scraps of his earlobe. At last he said, “You are not held to be quite delicious enough for that.”

“No?” she said.

“Lamentably not,” said her doting companion. “I consider it a piece of great foolishness.”

“You would have eaten me alive?” she beseeched him.

“Oh,” said her companion, “I fear it must be acknowledged that I would not have been able to eat you at all.”

Blackout curtains covered the windows, but she could hear the hammering of the rain against the glass, like a mob of useless fists. “Please help me,” she said.

Her loving companion held her hands between the butts of his wrists. He smiled down at her. “I can’t help you,” he said, “but I won’t hinder you.” And then he took his leave.

She heaved her body from the bed to the floor. The manacle, she discovered, could slide some distance up her leg, but could not be made by any contortion to allow her foot to slip through. Bending her leg at the knee, she grasped her toes with both hands, and stretched forward. The skin at her ankle was tender, and she was not prepared for the juice that shot out and battered the back of her throat in an insistent stream. After her long recumbence, the muscle was creamy and fine. She nibbled all around, using her nails to tear at the meat on the far opposite side of the limb, and flexed her jaw for the bone. But this shattered in her mouth, releasing a puff of powder that mingled unpleasantly with the red paste of the marrow. With the elimination of the foot, the manacle clanked to the ground. Staunching the bleeding took time, however, and she endured this impatiently. At last she was able to lurch to the door of her cell, and propping her body against the wall, to heave it open.

The guests were garlanding the dining-hall fire with armfuls of flowers; burning petals drifted in the air. The thin crystal flutes they held glowed with the champagne inside them, like pale coals. The long limbs of the women waved gracefully in greeting; the men bobbed their heads at her with rough affection. Her own companion was not among them. Across the room, beside the door, the eyes of the manservant were black in the black smoke. She hobbled in his direction. At this movement, a cry went up, and the guests began applauding. The champagne slapped the sides of the flutes in cheerful chimes and the celebration lashed across the room, and all the company danced in a great spiral, like a whirlpool sucking through the house. The eyes of the guests were brilliant, adoring; their faces were tilted up, innocent, anticipatory, as if to be kissed. Their delirium raised a dazzling bright wind in the hall: she breathed it in: odorless; swallowed it: tasteless; trapped it in her lungs, where it disappeared, weightless. She stood on her leg and observed the guests as, fingers interlaced, hair tangled together, their breaths muddling in each other’s mouths, their exultant cries in each other’s ears, they danced and danced. She saw that in an instant the floor would collapse beneath the force of their joy and their affection for her.

Micaela Morrissette is a senior editor of the journal Conjunctions, where her stories have appeared. A fiction reviewer for Jacket and Rain Taxi, she is also the editor of a symposium of multimedia works investigating the poet John Ashbery’s domestic environments. She is the recipient of a Pushcart Prize and has been reprinted in Best American Fantasy. At present, she’s collaborating with visual artist Joshua Pelletier on a mythology of the Rat King. A native of West Virginia, she lives in Brooklyn, New York.

“Creature” Friday, January 9th, 2009

CREATURE
by Ramsey Shehadeh

copyright © 2008 / May not be reproduced without permission

(from Weird Tales #349, March/April 2008)

And so came Creature out of the wasteland and into the city, bouncing from hilltop to hilltop like a bulbous ballerina skipping across the knuckles of a great hand. He was big as the moon and black as the night, and he came crashing into the city like a silent meteor. The cityfolk watched his approach with wide eyes and open mouths, and then scattered like leaves.

The sun sat smudged and pale behind a grey smear of cloud, and the air stank of scat and putrefaction. But Creature said: “What a fine day it is!” Though he did not say it, of course, he thought it, and so the cityfolk thought it too. And when he released a great bolus of happiness into the air, they paused in their desperate flight, and smiled, and thought: “What a fine day it is!”

Creature surveyed the sea of smiles around him, and was well pleased. He rolled along, growing and shrinking and flattening and widening as he went, dispensing false joy to the destitute and the hopeless, the desperate and the sad. They lined his path like parade-watchers, caught helplessly in his spell.

All except for the Little Girl. He found her standing in the middle of the road, gazing up at him with an expression of puzzled reserve.

She touched his yielding black skin, and said: “Who are you?”

“I am Creature,” said Creature. “You are quite happy to see me.” Although he did not say it, of course, he thought it, and so the Little Girl thought it too.

She smiled. “Will you tell me a story?”

“Certainly!” said Creature. The sky rained ash and soot, and in the grimy dusk of midday the doomed people of the city rediscovered their despair and slunk back into their slow nowhere peregrinations. “Would you like to hear a happy story, or a sad story?”

“A happy one,” said the Little Girl. She was slumped and emaciated, and her features sagged against her bones like melting wax. But her eyes were bright, and the mouth in her face was smiling. Creature looked inside her, and saw the scars where her childhood had been, and felt a cold thrill of sadness. He shied away from it, and began.

“Once upon a time, there was a race of beings called the Lumplorians. Unlike most peoples, the Lumplorians came in all different shapes and sizes. Some of them were tall and bent at right angles, like an L; some were round like cookies, with arms sticking out of the tops of their bodies and eyes in the middle of their bellies. Some undulated like meandering rivers, and some were perfectly square.”

The Little Girl giggled. “That’s silly.”

“Nevertheless,” said Creature. “This was the nature of the Lumplorian. And because they were all so different from one another, because no Lumplorian looked like any other Lumplorian, there was no bond between them. This made them sad, because they were all alone. And then it made them angry, because they hated their sadness, and blamed each other for it. There were wars between the Lumplorians, a million million tiny wars, because it soon came to pass that every Lumplorian was at war with every other Lumplorian.”

“This is boring,” said the Little Girl. “Can we play now?”

“But it is still a sad story,” said Creature, who knew that there are no happy stories or sad stories, only a single tale that stretches across the breadth of time, and happy or sad depends on which part of it you choose to tell.

“That’s ok,” said the Little Girl. “I don’t care about stories anyway.”

“Very well,” said Creature, and extruded two arms from the front of his body and picked her up. “What would you like to play?”

“Let’s play Find Mommy,” said the Little Girl.

“A capital idea!” said Creature. “How does one play Find Mommy?”

“You look for Mommy,” said the Little Girl, frowning.

“Of course,” said Creature. “Where should we begin?”

The Little Girl pointed toward the Pitted Bridge, which spanned the River Sludge. “There,” she said.

“Climb on, then,” said Creature, and handed her up to a second set of arms, which were emerging a little farther up his body, and they handed her in turn to a third set, higher still, and so on, so that the Little Girl rose toward his summit on a rippling wave of arms.

“And we’re off!” said Creature, and surged toward the bridge, undulating around rubble and bridging over chasms and puddling through potholes. Ruined buildings crowded in on either side, staring blindly down at them through shattered windows.

They were nearly there when a black bubblecar, squat as a spider, silent as a whisper, turned the corner in front of them, and stopped. A gun rose from its roof and trained itself on them. Its doors opened, lifting like angular wings, and two blackclads stepped out wearing visors that reflected Creature’s shimmering undulate in their mirrored and opaque surfaces.

The first blackclad leveled his weapon at Creature and said: “Halt!” Creature halted. He looked at their weapons, and felt something barbed and murderous rising in the banished parts of his mind.

“Identify yourself!” barked the second blackclad.

Creature extruded a mouth, and said: “I am Creature.”

“Release the girl,” said the second blackclad, “and put your hands on your head.” He said this with some hesitation, because the girl was clearly the one holding onto Creature, and because, in his current form, Creature had neither hands, nor head to put them on.

But Creature devolved into an oil slick, gently lowering the Little Girl to the street. And then he seeped into the cracks in the ground, and was gone.

The Little Girl got to her feet, looking warily at the two men. Fear showed plain on her face. All children knew the dangers of encountering the blackclads, who despise unattached urchinry, and round them up at every opportunity, and ferry them to the Orphan Reprocessing Facility in the center of the city, from which no child had ever emerged.

“You,” said the first man, “will come with us.”

The Little Girl shook her head, and took a step back.

The first man, who was fond of saying Halt!, pointed his weapon at her and said: “Halt!”

And the girl halted, but not because the blackclad told her to. No. She halted because the bubblecar behind the two men was rising into the air on a surge of black foam. It was rising, and it was rising, and then it was falling. There was a great crash, and the car was lying on its side, where the two men had been.

The black foam fell down to the ground, slapping against the torn tarmac like hard rain, then rose again as ten flat featureless figures with perfectly circular heads and rounded, linked arms, like cut-out paper men. They stood in a circle around the smashed car, their heads bowed, murmuring wordless elegies.

After a few moments, the figures flowed into each other, and became one figure, a giant cauldron that stood on two spindly legs. “I have done a bad thing,” said Creature.

“Those were bad men,” said the Little Girl, who had seen many terrible things in her short life.

“Nevertheless,” said Creature, and sighed. He trundled over to the Little Girl, and unwound an arm and took her hand. “Let us proceed more discreetly.”

* * *

Creature was born soon after the apocalypse, when the changes beset the world. He’d seeped out of his mother and spilled to the ground, a slick black rill in the muck of the afterbirth, and lay helpless at her feet, listening to the screams. He’d hurt her, clinging and raking and tearing at her body as it tried to expel him. Even then, he knew the horrors that awaited him in the world outside his mother.

The sun was well below the horizon when she died. Creature watched his father, an emaciated halfman in tattered rags, kneeling over her, sobbing quietly. He lowered himself to the ground and pressed his half-body against hers, so that they became one body, three arms and three legs and three eyes. Two of the eyes stared away blankly into nothing, and the third wept.

When the darkness became absolute, Creature slunk away into the night, an amorphous puddle of shadow.

At first, he foraged among the weeds and the thorn-brambles, but he soon learned to lie in wait for more substantial fare. He discovered the secrets of his body: how to flatten it into a dark patch of night, how to rise and thicken and envelop, to crush and consume. Everything in this world seemed bent on his destruction, and so he grew feral, and learned to cultivate savagery. All that had been human about him receded, save one image: the face of the mother he had never seen, smiling at him as she never had.

As he grew, legends sprung up around him, becoming more fantastical with each telling: he was an animate piece of the night, an amorphous devil, a thing of pure evil that consigned the souls of his victims to the infernal realms of hell. The men who lived on the edge of the waste gathered into great hunting parties and came after him, but always to no avail, because he had discovered another talent: he could see their thoughts as if they were his own. He could divine their numbers and their tactics, their plans and stratagems, their feints and their traps before they came within a mile of him. He thwarted all of their efforts, and then he killed them, and then he ate them.

But his ability to read their thoughts was ultimately more curse than blessing. He became entranced by the strange things that he encountered in their minds: wondrous, inscrutable feelings like joy and hope and love and compassion and humility and peace. To be sure, they were rare artifacts in these hard men, but all he had ever known was grief and pain and fear and hatred, and these new sensations, though strange and troubling, were beautiful. He saw the face of his mother in them, and understood that she was their talisman, their fortress and their apotheosis.

He found that he could not destroy creatures who were capable of such wonders. He lurked instead at the edge of their encampments, drinking them in, savoring them. And, one day, quite by accident, he discovered that he could manipulate them, too; he learned how to manufacture happiness in their minds, to sow accord, to soothe despair.

But he could do none of these things in his own mind, try as he might.

And so he conceived of his plan. He would enter the city, and heal its people. He would revive their hopes, scatter their sadness, stoke their love. And then he would wend himself into the fabric of their lives, and bask in the reflected glow of their joy. He would make himself whole again, through the coerced love of the men who despised and feared him.

* * *

The pitted bridge rose up from the banks of the Sludge like a leaden rainbow, but plunged abruptly near the midpoint of its arc into the dark waters. Two hundreds yards farther along, it rose from the river again and continued its journey to the opposite bank. Sagging ropes spanned the interval between the halves; from his position on the shore, Creature could just make out tiny figures shimmying back and forth across the gulf, like beads on an abacus.

“All the way to the end,” said the Little Girl from her perch at Creature’s summit.

Creature stepped onto the bridge, and began his ascent. He moved along a narrow avenue bisected by a fading, dashed yellow line, between dense thickets of shanties, reeking and ramshackle and piled up against the rails of the bridge.

The bridge’s residents stopped their milling to stare. Eyes appeared at slit windows, heads poked out of curtained doorways.

The Little Girl waved at a small boy with long thin arms that spindled out from his naked torso like spiderlegs. The boy waved back, beaming. “Hi Ugly!”

“Hi Rat!” said the Little Girl, and laughed. “That’s my friend Rat,” she said. “We call him Rat because he’s always going in dark holes to get food.”

“And why does he call you Ugly?”

“Because that’s my name.”

“Surely not,” said Creature. “Who would give such a pretty little girl a name like that?”

The Little Girl did not answer. Creature quickened his pace, because the crowds were thickening on either side of him, and he felt the knife edge of hostility touching the skin of his mind. He sent out balms of goodwill; but he was nearly spent now, and his thin, paltry reassurances served only to dull the rising malice.

“Mommy,” said the Little Girl.

“Do you see her, Child?” said Creature, slowing.

“No. Mommy called me Ugly.”

“Ah.” Creature resumed his pace, and struggled to find the thing to say. “Well, I’m sure she did so in jest.”

“She said it’s not safe to be a pretty little girl. She said she used to be a pretty little girl too and bad things happened to her and made her wish she wasn’t.”

A feral dog shot out of the narrow space between two shanties and leapt at them, snarling. Creature extended a protoplasmic tentacle and caught it and held it in midair, speaking tenderness and peace into its mind until it grew calm. Then he lowered it to the ground and released it and molded the edge of a tentacle into a hand the color of obsidian and stroked it behind its ears. It sat on its haunches and watched them pass, sniffing at the air in their wake.

“She wouldn’t let me go far away from the house,” said the Little Girl. “And after Daddy left she didn’t let me out at all. She paid a nice man named Bickle to watch the house when she had to leave but then Bickle didn’t wake up one day because of the knife in him and she had to stay with me all the time, because she said she couldn’t trust anyone else.”

A burly and bearded and shirtless man stepped into their path. Creature slowed, then stopped. The man was fat and large and pink and hairless. He held a book before him, like a talisman, and said: “Leave this place, Demon. You are not welcome here.”

“That’s Klam,” whispered the Little Girl. “He’s a crazy person.”

Creature touched the man’s mind, and recoiled. It was all brambles and barbed wire, and it hurt him just to look at it. He said: “I mean you no harm, sir. I am merely escorting this young lady to her mother.”

“The harlot has no place in this House of God,” said Klam.

This made Creature angry, and the anger frightened him. It was an ugly and bitter and terrible thing. And so he pressed it into the bowels of his mind, and said: “Please do not speak ill of the child. She has harmed no one.”

“Her existence,” said Klam, “harms us all.”

“Remove yourself from our path, sir,” said Creature, his patience suddenly spent. “Do so immediately.”

“I do not fear you, Demon. You cannot hurt me.”

“I can hurt you in ways that you cannot possibly imagine,” said the anger, before Creature could stop it. “I can make you long for mere agony.”

And then Klam reached behind him, and drew a shotgun from its holster, and fired.

Creature reacted quickly, bristling into a sudden forest of pseudopods. The onrushing cloud of metal would not harm him, of course, but the Little Girl was only flesh and sinew, delicate and frangible. He lashed out with his extrusions, moving faster than thought, catching the bullets, redirecting them into the central mass of his body.

All but one.

He felt it slip between his fingers and pass over his summit, saw it pierce the flesh of the girl’s arm. Heard her scream. Felt her pain as his own.

And then, while he was not looking, the anger rose.

He softened his midsection and moved forward and subsumed Klam into his body and then walled him off into a small compartment, and then shrunk the compartment into a box the size of a coffin, and then shrunk it again, and again, breaking Klam in steady stages. There was a time when he would have prolonged Klam’s death, savoring his screams, but that time was past. He crushed him quickly, and heard his thoughts wink out.

The Little Girl was crying, quietly. He lowered her to the ground and examined her wound. The bullet had nibbled at the edge of her shoulder, but had not entered. He pressed himself against it, to stanch

the flow of blood, and said: “All is well, Little Girl.”

They were alone now, all the bridge’s denizens having retreated to their shacks. “Come,” said Creature. “Let us continue.” He took the Little Girl’s hand, and they moved through the silence.

After some time, the girl pointed, and whispered: “That’s where we lived.”

Creature turned his gaze to a collapsed structure of wood and canvas, and then liquified and flowed into it. He found torn shreds of paper, a tattered rug, a toothless comb, scraps of clothing, an empty frame affixed to the canvas; nothing more. He came out again, and said: “There is no one here.”

“Oh,” said the Little Girl.

“Do you remember where you last saw your mother?”

“Yeah,” she said, and turned toward the bridge’s summit. Creature followed in her wake. “She woke up really early yesterday,” said the Little Girl, “and went outside. She was trying to be quiet, but I heard her so I got up too, and then I followed her.”

“Was she alone?”

“Yeah,” said the Little Girl, and stopped at the edge of bridge, where it fell away into the brown roil of the river Sludge. “She came here. I thought she was maybe waiting for someone, so I waited too, hiding behind Mr Bickle’s house.” She pointed at a ramshackle hut behind her. “But she just stood there for a long time, and no one else came, and then she looked back at our house and then she jumped in the river.”

Creature was silent for some time. He said: “I see.”

“I waited here for a while, and then I went down off the bridge to the river and looked for her. But she wasn’t there, and I didn’t want to come back up here on my own.”

“Of course.”

“So I just started walking.” She looked up, toward Creature’s summit. “And I found you.”

Creature stared at the river. Flotillas of muck and jetsam flowed along, teams of wreckage, bobbing and sinking. He said: “Well.” In truth, he did not know what to say. The Little Girl affected him in ways he did not understand.

There was a stir behind them, then, small bits of sound running together: curtains drawn aside, shuffling feet, stage whispers. He turned, and saw them: the people of the bridge, massing.

They stood tremulous and resolute and afraid, clasping the detritus of their lives in the hands: long boards with nails hammered into their ends, filed metal rods, rusting butcher knives, ancient firearms. It was a sad and ragtag gathering, and, examining it, Creature could muster nothing more than pity. Not even the anger would rouse itself for this dim spectacle.

A man stepped forward. He was dressed in scraps and tatters, and the left side of his face twitched with a flickering palsy. He said: “We don’t want you here, Monster.”

He could have killed them all, of course. He could have crushed them against one other, plunged through their mouthes into their bodies and eaten them from the inside, broken the ground at their feet and sent them hurtling into the river. Instead, he moved to the edge of the bridge, beside the Little Girl, and said: “It is time for us to go.”

“Where?”

“Someplace that is not here.” He folded himself into a broad sickle-moon concavity. “Come into me.”

She paused, then stepped onto his body.

“It will be very dark for a while, Little Girl. Do not be afraid.”

“I’m not afraid,” she said, and lay down.

And so Creature shaped himself a hollow globe, sealing the Little Girl inside of him, and rolled over the edge of the bridge.

The brown surface of the river rose to meet him, and he fell into its murk with a great crash, sending up a high torrent of muddy water. They sank slowly into its depths, where the darkness was absolute, and let the current draw them downriver.

When he sensed that the air trapped inside of him was growing scarce, he rose to the surface of the river, unfolding like an opening hand, and fashioned himself into a raft. The Little Girl lay asleep in its center, curled into a tiny ball. He raised a portion of himself into a pillow, and arched a blanket of himself over her body. And they floated thus through the city, with the darkness gathering steadily about them.

* * *

The little girl awoke at dawn, just as the sun was heaving itself over the horizon, a pale shapeless luminescence in the grey soup of cloud. She stretched, and looked around.

“Sir?” she said.

“I am here, Little Girl,” said Creature.

“What happened to the city?”

“We have left it.”

They were floating through the wasteland now, across a dead plain still scarred with the ravages of the last war: trench furrows had been torn out of the earth, as if by great scythes, and many of the trees were burned stumps, or leafless and shattered skeletons. The air was thick with heat and heavy with moisture. The girl mopped sweat off her brow and surveyed the river. Tourette crabs on either bank followed their progress, spewing unbroken streams of profanity. Jellyfowl floated above them in the soft eddies of breeze, trailing curtains of barbed streamers. A troupe of the soulless trudged the banks, following the scent of life.

The girl lay down and said: “I’ve never been outside the city.”

“The waste is no safe place for little girls.”

“Is this your home?”

Creature paused. He had never thought of it as home. “It is where I live, yes.”

“Aren’t you afraid all alone out here?”

“Not in the way you mean,” he said. He had never feared the wasteland, really. But he did not wish to become one of its thoughtless, feral denizens. That, he feared.

She lapsed back into silence, and Creature reached into her mind, and found only sadness. He said: “Do you want to go back to the city, Little Girl?”

She shook her head, not lifting it off his surface. He saw that this was both true, and false. She despised the city, but it was the only home she’d ever known. An intractable dilemma.

Creature prepared a bolus of happiness, the largest he could fashion, and filled it with bright sunlight and green fields, fairytale princesses and caring mothers and endless summers.

The Little Girl said: “Sir?”

“Yes, Little Girl.”

“I wish you’d come before. You’re nice, like Mr Bickle. I think Mommy would have let you take care of me. And then maybe she wouldn’t have gone away.”

Again, Creature found himself without words. They floated on in silence.

“I heard her talking to Mr Bickle once, when she thought I was asleep. She said I made her old. She said that worrying about me all the time was killing her.”

“Even mothers say things they do not mean, sometimes,” said Creature, maneuvering himself around a whirling funnel of piranha clownfish.

“Do you have a mother?”

“I did, yes. She left me a long time ago.”

“What was she like?”

Creature did not answer at once. He had two mothers, really: the one he had inhabited for nine months, who’d borne him and then died; and the gentle woman who inhabited him, the light that led him out of his bestiality, that banished his darkness. In many ways, he was glad that he had never known the real mother; it left him free to manufacture the unconditional love of the false one.

“I wish I could tell you, Little Girl. I do not know. But I do know that she watches over me still, and protects me.”

The Little Girl turned onto her back, and looked up at the sky. “Your Mommy sounds nice too.”

Creature held the bolus of happiness at the threshold on her consciousness, but did not insert it. Its effect would be temporary, and false, an ice sculpture in the desert.

“Sir?”

“Yes, Little Girl.”

“Who’s going to take care of me now?”

“I do not know. Do you have any uncles or aunts?”

She shook her head.

“Brothers or sisters?”

She shook her head.

“Grandparents?”

She shook her head.

“Then perhaps,” he said, almost shyly, “you should stay with me. Until you are old enough to take care of yourself.”

“Out here?”

“Yes. It’s not so bad, really, once you’ve grown accustomed to it. Let me show you.”

The soulless were well behind them, and the crabs had given up the chase. Creature drifted toward the bank, then rose out of the river as an obelisk, lengthening as he went, thrusting the Little Girl high above the skeletal trees. She squealed, first in fright, then in delight. He extruded eight legs from his base and skittered onto the bank, a tall spider column swaying gently in the freshening breeze.

“I can see everything!” cried the Little Girl. “I can see the city and the hills and the river and everything!”

They walked on. A clod of scuttle earth, the size and shape of a mattress, rose from the ground and shambled out of their path, raining worms from its underside; in the distance, two clouds of semaphore ravens spoke in shifting patterns; a herd of wild rats stampeded across a faraway bramble meadow; a flotilla of sailfish navigated the deeps of the distant oxblood lake.

The Little Girl watched with widening eyes. “This place is weird.”

“No stranger than your city, Little Girl. The strangeness differs only in its particulars.”

“Where’s your house?”

“There is no house.” Silence. He lifted the impression of a face onto the flat surface of his summit, and looked at the Little Girl. “Although we could build one. A large house, if you like, with many rooms.”

Her expression was composed, and very serious. She was, suddenly, far older than her years. “Can you let me down, Sir?”

“Certainly.” He shrank into a disk the size of manhole cover, and, when the girl stepped off, rose into his cauldron shape. “Are you hungry?”

She shrugged, and said: “Sir?”

“Yes, Little Girl.”

“Is my Mommy dead?”

Creature paused. He said: “Yes. I fear that she is.”

The girl was silent for a moment. She said: “I wish she wasn’t.”

Creature had nothing to say to this. They stood in silence, listening to the wind rattle the skeletal branches of the trees, the river lap lazily against its banks.

“Sir?”

“Yes, Little Girl.”

“My name’s Melanie. You can call me Melanie.”

He hesitated, and felt the dim stirrings of something unfamiliar in his mind: fear, perhaps, or hope, or dread, or joy. Or none of these things. Or all of them. He said: “Melanie,” and extruded an arm, and took her hand. And together they watched the flocks of semaphore ravens converge on the horizon, signaling frantically to one another across the gulf of sky.

By day, Ramsey Shehadeh is a mild-mannered Java programmer. But when darkness falls, he sheds his beige corporate uniform, doffs his hat, removes his glasses, and becomes a mild-mannered Java programmer who writes the occasional short story. He enjoys hanging out with his wife, steeping himself in ’80s nostalgia, and devising increasingly desperate ways to prevent his beagle from eating him. You can find him at http://doodleplex.com. This is his first published story.

“Time and the Orpheus” Friday, January 9th, 2009

TIME AND THE ORPHEUS
by chiles samaniego

copyright © 2008 / May not be reproduced without permission

(from Weird Tales #351, Sep/Oct 2008)

[ Download this issue as an ebook ]

Playing trumpet at the Orpheus was practically the only life John Bastion ever knew.

Certainly it was little different from any other life he’d ever led. The Orpheus had no band, no singer, no piano; not even a turntable or jukebox. All it had was a small dais for John Bastion to stand on when he played, a mic stand with no microphone, and, of course, John Bastion and his trumpet.

“The reason you’re so essential to the Orpheus, Johnny boy, is you provide wossname, ambience. The Orpheus never used to have one before you came along, and these days, you’ve got to have it to keep what we management types call a competitive edge.”

That was Barney, a one-armed, one-legged ex-pirate with at least one glass eye, who was both bartender and owner of the Orpheus.

“All a them new spots on the strip, like, say, the Blue Oyster Wagon and the Sylvian Digs, they charge an arm and a leg off their customers for the dull wall-furnishings they laughably call their ambience; but you Johnny boy, you give our customers something special at no extra cost. We got our arrangement, and thas definitely somethin’ of itself worth a jawin’ or two, an’ it isn’t anything these folk have seen ‘afore.”

Barney had first come across John playing on a sidewalk corner, all the way across the City, a battered old hat lying with the wrong side up in front of him. Barney, being congenitally tone deaf, and therefore unable to tell good music from bad, had first noticed the remarkable number and variety of people that had gathered around him; positively magnetized by the gawky, dark, inexplicably odd young lad with the horn, they watched and listened with slack jaws and glazed eyes. The on-lookers would frequently reach into their pockets and flick their wrists with quick, sleight of hand motions, each time drawing a significant clinking sound from the depths of the battered old hat on the ground. This ritual was done, Barney assumed, each time John reached a particularly good bit in his playing.

That was the second thing Barney noticed: how John Bastion’s old hat managed to draw more coinage than any other street performers’ particular beat-up head gear. And that, more than the third and final thing Barney noticed watching John Bastion play for the first time in his life, was what made him decide that John Bastion was a gifted chap, and belonged inside the Orpheus.

“I haven’t got nothing to pay you, other than to let you ply your trade as you know it (at just the merest percentage out of your hat, so to speak, for overhead and some such); and if you fancy a good drink, an occasional free meal, and a good solid roof over your head to keep the rain off while you play, you’ll leave your spot on that corner there and come work for me at my place.”

John Bastion had given him a look that told Barney nothing, and Barney thought maybe this bloke was special in other ways as well.

“’S called the Orpheus,” he added helpfully.

John looked at him some more. Barney was starting to shift uncomfortably under his gaze, and was considering whether the addition of a bowl of nuts with each drink to his offer was worth the trouble, when John put his trumpet away, poured the change from his hat into an old brown sack, and shoved the hat onto his head, right side up this time. He sealed the sack with fray-ended drawstrings, and threw it over his shoulder, and stood there, trumpet case in one hand, sack in the other, coat on his back, hat on his head. There was something definitely odd about the lad, but when he nodded, Barney forgot all about it and led the way enthusiastically back to the Orpheus.

Barney was nothing if not true to his word, and he never paid John a single quid or tuppence, but gave him an occasional free meal, and kept a good solid roof over his head that kept the rain off while he played, although it turned out the only drink John would ever have out of the bar was chilled, undiluted tonic water (Barney insisted on this, in lieu of the rain water John initially asked for, with certain vividly portrayed admonitions concerning employee health regulations).

He even threw in a bowl of nuts.

John sat at the bar between sets and drank his tonic water, popping the occasional dry roasted peanut into his mouth. He only ate a little when he had to play. Bits would get stuck in his teeth, and, though it’s never happened before, he was afraid a particularly capricious crumb would choose a good bit in his playing to dislodge and fly into his mouthpiece. Although John was never someone anybody would have called temperamental, he suspected that any interruption to his playing would displease him immensely.

It was at those times, as John sat quiescent at the bar, when Barney would speak to him, giving him what Barney referred to as his ‘pep talk’.

“You take ‘em places they’ve never been, John, and could never be; you give ‘em a piece o’ the street they never woulda seen for themselves. The Artists’ Quarter, lovely neighborhood that it is, ’s no place for a Citizen Aristocrat to be seen gallivanting about.

“And your music, John, I’ve never had an ear for the like, you understand, but it doesn’t take half a glass eye to see it moves them. The customers never spend a mite less time than they intend to, and, more often than not, they spend more.”

He would remember the first time he saw John then, and the third and last thing he noticed about the lad and his audience, and he tried to put good words to what he thought was happening.

“Your music keeps them, toys with their imaginings of time, I reckon, and while you play, they stay and drink and flirt as though all the time in the world was theirs for the takin’.”

He would ruminate over those words, pausing to chew on his lip for a moment, but, apparently satisfied with what he’d said, would say no more and walk away and return to work, or to flirting with Constance, the Orpheus’ only waitress, and a pretty young thing herself.

John Bastion never thought about any of it. He just played when he was supposed to, collecting his hat and his coins at the end, usually long past time for the Orpheus to call it a night.

Then, he’d step out onto the sidewalk, standing beneath the sign of the Orpheus, put his hat in the customary position in front of him, and play some more.

One night, John ended a set the way he always did: hardly noticing the applause, the ovation, Barney called it, of the audience. He blinked the way he always does after having played an entire set, clearing his vision as though having just woken-up from a long, rather pleasant and restful sleep, then stepped-off the dais and moved to the bar.

He waited for Barney to come over with his tonic water. He didn’t usually have to wait too long, but tonight, it seemed Barney was held-up for some reason or another, talking to one of the customers down the other end of the bar. John did the John Bastion equivalent of shrugging his shoulders, which involved no movement at all, and decided to look around.

He’d never actually seen the Orpheus. Night after night he would come, a quarter of an hour before opening, and a quarter of an hour after closing, and the whole time he would stand on his dais and play, eyes turned inward, lids closed, just him and his trumpet and the music, dancing a slow waltz in a wild, ancient place John could neither remember nor describe when he stopped, but which never failed to fill him with a sense of inviolable peace. He stopped between sets for his glass of tonic water and Barney’s pep talk, the occasional peanut and nothing more.

Barney, as the ex-pirate himself liked to put it, could fill a hole to the center of the earth, through to the other side with talk.

At first John had trouble making out what he saw. It was like picking out stalking tigers in a dense jungle, if you’ve never heard of either tigers or jungles; when the tigers did jump at him he was filled not with dread, as you might expect from a surprise tiger attack, but with an inexplicable, indescribable, near-insufferable delight.

He saw the gentlemen in their suits and tuxedos, trench coats and jerseys and vests and leather jackets. The ladies were even more pleasing to watch, in their gowns and petticoats, their shawls and feather boas, their sweaters and cardigans. A few of them wore trench coats and leather jackets like the gentlemen (and there were some gentlemen in gowns and petticoats, as well), but he found it pleasing how different they all were, regardless of gender. He watched them gesture and gesticulate, hunching forward for a lewd whisper, or leaning back for a hearty laugh. There were little groups of silent people as well, and they sipped at their various beverages sulkily, but John found them no less pleasing to watch.

Most of all, he listened to them, all of them, their laughter, their weeping, their shouts, their whispers, their silence.

He was not playing, but somehow, he was back at that ancient place of wildness and peace.

And Constance! Watching Constance was best of all. John had always known Constance was pretty, the way a book might know a character in the story printed on its pages was pretty. But now, he actually saw it: she made her way through the tables like a dancer, dodging glances and lusty grabs with equal ease, never losing her poise or that joyful gleam in her eye, laughing at something unheard from a customer, returning gamely with a witty remark that could bring either laughs or blushes but never animosity or rancor (which, John realized with delight, were two very different words for the same sort of thing).

For the first time in his life, John Bastion was aware, and awareness, astonishingly, brought him joy and delight (two more words that were different, but were both very good at saying pretty much the same thing: which was, to be plain, what he felt at that particular moment).

There was something unusual about Barney, when he finally brought John his tonic water. Barney always hobbled over with the air of someone quite comfortable in the grotesquerie of himself, and would speak in a booming voice that belittled whatever the world could possibly think of a one-armed, one-legged ex-pirate with at least one glass eye.

It was not obvious to John, but it would have been to anyone else: Barney was shaken, and when he spoke, he spoke soberly, without the affected slur he imagined ex-pirates always spoke with, and, most of all, he spoke in a whisper.

“Drink up, John. Here, why don’t you let me add a little something to your drink, give it a little kick?” Barney gestured with the bottle of gin in his hand. John blinked back at him with that look that never told Barney anything.

“I like it fine the way it is, thank you.”

John never called anyone by their name, if he spoke at all, and tonight he was surprised by his own voice, as though he’d never heard himself before, and, quite possibly, never really knew he had the knack for it. He thought about it, and decided it wasn’t quite so bad, saying things, and decided to try saying some more.

“The place is jumping tonight.”

He didn’t know what that meant, but he’d heard it often, from customers who seemed more than passing familiar with Barney, and he thought it had a rather pleasing sound to it. Friendly, he thought, was just how the line sounded.

“I wouldn’t doubt it. Listen, John, there’s something you should know.” Barney again gestured with the bottle of gin, letting the open bottle hang poised over the lip of John’s glass.

“I like it fine,” John said again.

Barney turned over a glass from behind the counter, and poured himself a straight. Double. Make that a triple. Hell, he filled the glass, would probably have filled two the way he held the bottle upturned like it was. This was something new as well; John had never seen Barney drink anything more than tap water when he was working.

He knocked it back, taking one large swallow to empty the glass.

“See that stiff over there? The cocky-looking one in the slick grey suit?” John looked but didn’t seem to get what Barney was saying. “Talking to the giddy young blonde in the red dress.”

John had to squint a bit for the tigers to come out. The blonde certainly did look “giddy.” He wasn’t quite sure he knew what the word meant, but he thought it was a good word for the way she looked and moved and laughed, like somehow she wasn’t quite herself; “beside herself” was the phrase that followed “giddy” in John’s mind.

The “stiff” was a bit harder to pick out of the jungle. Most of the gentlemen wore grey suits anyway, but it finally became clear only one of them was actually paying the blonde the kind of attention that could be called “talking to her,” though a lot of the other gentlemen, and quite a few ladies, were looking as well, albeit from a distance.

When he finally did notice the gentleman, he wondered why he hadn’t picked him out sooner. There was something about the fellow that certainly made him stand out quite conspicuously from the rest, even when he was just leaning over the blonde in the red dress, whispering in her ear as she giddied. Something about him made the word “confidence” pop into John’s head.

He continued to be delighted at his newfound awareness, but when he looked back at Barney, he felt something else he didn’t quite have the word for, though it was definitely less pleasant than anything he’d experienced before that night.

He thought about getting back to playing then, the sensation was making him so uncomfortable (he realized just then how much he didn’t like that―being uncomfortable), but something inside him insisted that he stay and listen to what Barney had to say, though he could think of no reason at all why he should. Perhaps it would give Barney pleasure, he thought, and make the discomfort go away.

Barney had poured himself another glassful (John wasn’t sure it was only the second since he’d looked away) and knocked it back with no less alacrity than the previous one.

“I’ve been ‘negotiating’ with that ‘gentleman’ for over a month now. District Attorney for the City Planning and Development Office.” Visions of Unstoppable Power swam in John’s head at the title, though he’d never heard it spoken before. “Seems there was a bit of an oversight when the deed to the Orpheus passed into my hands. Says it was never meant to be owned privately, that the Orpheus rightfully belongs to City Administration, and the public for which they stand.”

He knocked back yet another drink, saluting his own irony.

“Apparently, it’s been decided that a new public throughway is much more essential to the City than the Orpheus, and that shithead is telling us they’re tearing us down, and want us out of here by tomorrow.”

John recognized one of the words from Barney’s pep talk, and a bright smile played on John’s lips.

“Essential. That would be a good thing then.” But Barney’s response made him a little less certain of his statement, and he added, “To the City.”

Barney kept knocking back drinks. The bottle was almost empty.

“Suppose you could say that.” Something in his voice sounded very much like the word “grudging” was meant for it, and John felt another twinge of delight at the realization that he was getting quite good at that, the meaning of things, but was brought down by Barney’s next words: “And maybe you should go work for them then.”

John frowned at that. He took a gander at all the astonishing things he’d become aware of that night. Looked around at the Orpheus.

“I like it fine the way it is, thank you.”

Barney’s look was pitying, though the effect was lost on John, to whom it was just another “look,” a particular configuration of features that, while unique to other such configurations, remain the general size and shape, being inevitably made of the same composite parts, as Barney’s face.

“Listen, John, I know this is difficult, but the negotiations were just fluff while the Office waited for the plans to come through the pipeline. They were never gonna give us anything. Far as they’re concerned, the Orpheus is theirs, and they don’t owe us anything.

“Tonight, the Orpheus closes for the last time.”

John thought that over, looking around at the Orpheus one more time. The displeasure he had assumed was emanating from Barney alone had taken root somewhere inside of him, and he felt it filling him and shoving out all the delightful things he’d been feeling up to that point.

“Come back tomorrow, then.”

“The City’s made its decision, John, they aren’t giving us an extension. I didn’t tell you sooner because, well, there was never really a lot you could do about it, and I didn’t want it getting in the way of your work. We only have the rest of the night.”

John’s face fell with all the weight and sturdiness of a porcelain jug, filled to the brim with curdled milk, and hit the floor with the exact same effect, assuming porcelain jugs could shatter without actually breaking, without, in fact, exhibiting any formal change at all.

“Well, look, John, it can’t be so bad for you. I mean, you still work the street; you’ve practically never left it. You can always go back to your old corner, playin’ the crowds the way you always have. Sure, you’d have to do without the free meals, or the roof, or the tonic water. . .”

John looked at his glass, which he hadn’t yet touched, and was still full of tonic water, though slightly less chilled than it had been.

“Or me.” Barney knocked back one last drink, tried to pour himself another, but found the bottle, at last, empty.

“Constance,” John said, though he wasn’t quite sure why.

“She’ll have it worse than either of us, I expect. Me, I’m a wrinkled hand up the withered arse, if you know what I mean.” (Which John didn’t.) “I’ll find my way, old fart that I am. But Constance? Young as she is, she’s never known another life, and never wanted any other. I’ve always said: if there’s anything stands a good chance of outliving me, it will be the Orpheus, with Constance waiting at the tables.”

Barney shrugged his one remaining shoulder, shaking off the sobering effect the alcohol seemed to have on him. “But, I s’pose, ’s the way of the world, and I’ve been wrong afore.”

John didn’t want it to be “worse” for Constance. And he didn’t care if Barney’s been wrong before; he wasn’t even quite sure what Barney was wrong about then and what he could be wrong about now, but he knew he didn’t want to take any chances with Constance, or with the Orpheus. In one night, he’d fallen hard, harder than any human being has ever been known to fall (and human beings, well, they can fall pretty damned hard), and he knew he had to do something, would never be able to go on if he didn’t.

“John? Wake up boy, time for you to play.”

Yes. That was it. It was time for him to play.

* * *

John stood on the dais like he always did, trumpet in both hands, head bowed slightly. He closed his eyes, turning them inwards, and thought of all the things he’d seen, become aware of, that night. The feel of the tonic water sliding down his throat. Barney’s grotesque but endearingly familiar one-legged hobble. The gentlemen. The ladies. The giddy blonde and the District Attorney for the City Planning and Development Office. Constance waiting tables. The Orpheus and all its noise, its own sweet music; he’d never realized it before, but he knew it then; he never played alone: the Orpheus played with him.

All the delight and comfort and joy and sadness and numbness and drunkenness and sobriety: he thought them all in his head, balled them up tight and put them in the pit of his stomach.

He opened his eyes. Constance was standing at the back of the room, watching him.

When he seemed to hesitate, he saw her jaw tremble slightly, as though she’d said something. He imagined he heard her whisper one word: “Play,” she might have said.

“Play.”

He brought the trumpet to his lips, letting it linger there, as though savoring his first kiss; which, in the way of things that night, it may as well have been. Keeping his eyes on Constance, on all the ladies and all the gentlemen, on the giddy blonde and the District Attorney and the ex-pirate behind the bar, on everyone and everything that was the Orpheus that night, he played.

Your music keeps them, toys with their imaginings of time, I reckon, and while you play, they stay and drink and flirt as though all the time in the world was theirs for the takin’.

The first note started softly, and grew. It was long and mournful, and seemed to fill the Orpheus with its sorrow. Several hearts broke that night, but no one dared even breathe to interrupt that note.

You give our customers something special. You take ‘em places they’ve never been, and could never be; you give ‘em a piece o’ the street they never woulda seen for themselves.

The bar grew quieter with each passing second, and all at once became silent. All eyes were on John as he started his last set. How many were there? Fifty? A hundred? All of them were listening intently, as though incapable of anything else: jaws were slack; eyes glazed. Everyone stopped to hear the last mournful song to ever be heard from the trumpet of John Bastion.

The customers never spend a mite less time than they intend to, and, more often than not, they spend more.

John just kept right on playing, through the night, straight up through dawn; standing right there at the heart of the Orpheus, he just kept right on going like nothing in this world could ever stop him.

And everyone in the Orpheus, they just kept right on listening.

And City Administration, they went right on and built that throughway.

Now no one ever gets to go to the Orpheus; but that’s OK, John Bastion thinks as he plays, because now, no one ever has to leave.

* * *

If you ever find yourself happening across that particular throughway, take a moment to listen; it’s a quiet place for all the cars driving by, but if you listen, and listen hard, you just might hear John Bastion playing.

They say it’s lovely stuff. Me, well . . . I’ve never had an ear for the like, you understand.


When asked to write about himself, chiles samaniego enjoys using lowercase letters and the third person: “Easier to make things up that way,” he says. As a writer of fictions, he wonders if everything he writes might be true, and therefore not to be trusted. He is originally from the Philippines but is currently living in Singapore.

“Landscape, With Fish” Friday, January 9th, 2009

LANDSCAPE, WITH FISH
by Karen Heuler

copyright © 2008 / May not be reproduced without permission

(from Weird Tales #348, Jan/Feb 2008)

[ Read this story as a PDF ]

“You gotta control your fish better,” Willis said. “They’re scaring my dog.”

Tom nodded. “Didn’t know they could go so far. It’s interesting.”

“The first time, yes,” Willis agreed. “After that, it’s nasty. The dog ain’t the same.”

“Easy now, it’s just a fish.”

“I hear they eat things you wouldn’t think. I hear they slide right under doors.”

“That ain’t true, about the doors. You’re thinking of mice, not fish. These fish eat mice, so they’re more like cats. Only not so fast, I think. At least, I haven’t seen ’em move that fast.”

“I hear,” Willis said slowly, “I hear they can get in the pipes. You know, you’re sitting on the john…”

“Now that’s damn foolish,” Tom said. “That’s maligning my fish.”

“Keep ’em on a leash,” Willis said flatly. “And put up some kind of fence.”

“It’s a good thing we’re friendly,” Tom said shortly. “Or I’d be annoyed.” With that, Tom lowered his head and left. He came across one of those special-order fish of his on the well-worn path back to his own house, and he kicked it a little. It made a kind of hissing sound.

“You watch it,” he said to the fish. “You were meant to be eaten, you know.” He looked at the fish, its big toothy mouth, its snaky head. “Though I wouldn’t want to see you on my plate. Not without gravy anyway.”

He poked the fish back to the pond and set to putting up a fence around it. “Fencing a pond,” he grumbled. “Damn foreign fish.”

He pounded in the posts and put up the mesh. The fish sort of hopped along the ground so it didn’t have to be high. The job went easily.

He thought it was his imagination when he heard the pops against his window in the morning. He sat at the kitchen table and had his coffee first, that was his rule. He saw movements, like big flies, out of the side of his eyes, but he waited to catch them dead-on.

He saw one, finished his coffee, saw another, and got up.

They were leaving oval slimy smears on the windows and falling in the bushes around the house. A little stunned they were, obviously shook up till they got their wits about them again. It annoyed Tom when he saw them, because it meant there’d be trouble. He didn’t have the kind of neighbors that would let a thing like this go by without comment.

He never actually saw them take off — he always caught them flying, instead — but he had to assume they did a kind of leap first, so he put up a higher fence.

That didn’t stop them, and his windows were getting all smeared. Well, then, some kind of tent would do it. He stared at his little pond, which, when you started thinking about covering it, got a whole lot bigger. He sighed. It might be best if he got Willis to help him. It was hardly a secret he could keep.

Kind of strange he hadn’t heard from Willis anyway, he thought, as he walked the old path to his neighbor’s house. There were fish in the trees and they sometimes dropped on top of him with a wet thwack and an unpleasant snapping of teeth. They hadn’t quite got the hang of it yet; they landed upside down and their teeth went nowhere.

Willis’ place was looking a little off. The grass must have gone to seed because there was a whole flock of grackles standing off to the side making grackly cackles.

“Psst,” Willis said, tapping on his window from inside. “Get in here.”

Tom stepped inside.

“No problems getting through?” Willis whispered. “You didn’t hear anything?”

Tom frowned. “Well, there’s birds outside. I did hear that.”

Willis drew in a long breath. “What were they saying?”

With that, Tom started to actually listen to the murmur outside, which wasn’t exactly the regular kind of bird talk. He stepped to the window. The birds were walking around, meeting in groups. He listened hard.

The birds were saying, “WILLIS Willis Willis. WILLIS Willis Willis.”

He stepped away from the window. “Now, that’s creepy,” he said.

Willis nodded. “Did they say anything about you?”

Tom listened again, but there was nothing but Willis in the air. “No,” he said. “It’s just you.”

“What if they start lying?” Willis asked. “Won’t nobody believe me over birds.” His eyes got filmy. “How much do you think they know?”

Tom went out down the path and picked up a few of his fish. It seemed like they’d followed him part way. Some fish hopped along behind him back to Willis’ place, and when he got to the grackles one fish reared up and grabbed a bird by the wing. Tom kicked it free, watching that bird rise up and join the others scattering overhead. As long as they were talking, they could talk about that.

Willis peeked from his window until the yard was clear and then he came out. “Those fish of yours,” he said. “Mighty evil looking. They got a temper?”

“Sweet as can be,” Tom said. “They get attached, too, just like a dog.”

“I think my dog ran out on me. Kind of miss him.”

They stood for a while in silence, watching the fish. They were flapping on the ground, wiggling their tails back and forth till they started making a bunch of holes around the yard. Then they each settled into a hole and turned their heads towards the two men by the house.

“Well,” Tom said. “Looks like they’re planning on staying. You want ’em?”

Willis nodded. “I can see their attraction now. They’ll keep the yard free anyway. And they’re quiet — I like that.”

Tom nodded. “Real quiet,” he said. “You never hear them coming. You never know they’re there.”

Satisfied, the two men looked at the fish, and the fish in their trenches looked back at them.


Karen Heuler’s stories have appeared in anthologies and in many literary and commercial magazines. She has published two novels and a short story collection, and has won an O. Henry award. Her latest novel, Journey to Bom Goody, concerns strange doings in the Amazon. She lives, writes, and teaches in New York, which has its own share of strange doings.

“First Photograph” Friday, January 9th, 2009

FIRST PHOTOGRAPH
by Zoran Živković

copyright © 2008 / May not be reproduced without permission

(from Weird Tales #351, Sep/Oct 2008)

[ Download this issue as an ebook ]

Appearances can be deceiving.

You look at a picture and think you see everything. Young mother with babe in arms. Indeed, what else is there to see? You’ve seen thousands of such photographs. Even on postcards. It’s a cliché, you think.

And yet it isn’t. Take a closer look. The two-month-old child (me, although, of course, you can’t recognize me on my first photograph) seems intent on holding its head where it’s not supposed to be, under its mother’s bosom, closer to her stomach.

There’s something unnatural about that position. One would expect the baby to long to hear its mother’s heartbeat. That’s why mothers instinctively hold babies with their head cradled in their left arm.

I suppose I too (although, to tell the truth, I don’t remember) loved to hear my mother’s throbbing heart. How could it be otherwise? I was a normal baby.

Or perhaps not quite normal. I knew something that, even if I could, I wouldn’t have told anyone. Because it wasn’t normal. At least not according to the standards of the time. Today people would probably have a different take on it all. Be more indulgent. At least I hope so.

Here, let’s check it out. I’ll tell you the secret why I, this weak little baby, was trying with might and main to listen beneath my mother’s bosom. I wanted so terribly to hear the beating of another heart that was down there a bit lower.

No, my mother didn’t have two hearts. Not at all. Anatomically and in all other respects, everything about her was in perfect order. She certainly would have been horrified to learn about that other heart, particularly since it wasn’t hers and yet was located inside her.

Well, all right, whose other heart could that be, you wonder with a certain understandable surprise, in the normal mother of a two-month-old baby?

Here’s the answer. The other heart beating in my mother’s body belonged to my twin brother. I would like to call him by name, but he was never given one. Not only because he was never born. Had my parents known that he was conceived when I was, they would certainly have had a name waiting for him. As they did for me. But there was no ultrasound at the time.

Wait, wait, I can already hear your interruptions, what do mean to say ― he wasn’t born? How could he still not be born two months after your birth? All-embracing medicine has yet to record such an event. Without mentioning the fact that your mother, even after bringing you into the world would have been ― and looked, which is more important ― pregnant.

It truly would have been like that, and your amazement quite fitting, had things taken their natural course. But they didn’t. Exactly two months and eleven days after my twin brother and I were conceived, he decided not to be born. It’s true we were only fetuses at the time, but you are terribly mistaken if you think such far-reaching decisions can’t be made so early on.

All right, not all fetuses are equally mature. Take me, for example. Something like that would never have crossed my mind. I was much more ingenuous. Nothing more far-reaching than enjoying the warm, safe surroundings of my mother’s womb interested me. But even then my brother was characterized by a seriousness and responsibility of which few can be proud, among newborns and adults alike.

His decision astonished me, of course. How else could it be? I had counted on us being born together as befits identical twins. How could I enter the world by myself, deprived of the closest relative imaginable? It’s not certain I could even consider myself a twin in that case.

Completely distraught, I asked for an explanation. But I didn’t get one. All I was told, in the special nonverbal way that fetuses communicate, is that that’s the way it had to be. As though Fate itself were talking. It was not until much later that I realized it actually could not have been otherwise. The explanation went far beyond my capacity to understand at that age. It’s questionable that I could even today. I sincerely doubt that I will ever reach an understanding of the world to match that of my brother when he was just a fetus.

While I was unable to grasp his reasons for not being born, I wanted to know how he intended to pull it off. This was a technical, not metaphysical question, so I hoped that I would be able to understand it. Was he intending to keep growing and developing in Mother’s stomach until he came of age, and even afterward? I was horrified at the thought of what our mother would look like with a grown man in her stomach.

He took me soundly to task for such a vicious thought. Of course he wouldn’t keep on growing. How could he spoil his own mother’s appearance? He wouldn’t even stay in his current tiny proportions that would certainly cause her no inconvenience. He would go to the opposite extreme. Become smaller.

I must have given him a dumbfounded look with my large fetus eyes, because he hastened to dispel my doubts. Why was I so surprised? We live in an age of miniaturization, don’t we? Everything’s getting smaller and smaller. We’re coming closer to a quantum world in all respects. It turns out that even the cosmos itself isn’t quite as enormous as was once thought. So why should fetuses be any exception?

What else could I do but accept this rational explanation. But this did nothing to lessen my concern. When do you intend to start shrinking, I asked him. Sensing fear in my inaudible voice at the possibility of being all alone, he firmly promised that nothing would happen before I was born. He would maintain his current size until then.

And indeed, while I continued to grow, he didn’t change. Over time I became so large compared to him that I had to be very careful not to accidentally harm him. Moving about like every lively baby at the end of its term in the womb, I could have smothered him, pressed him or even smashed him.

My anxiety grew as the delivery date approached. It’s a tumultuous event, something could go wrong. What if he didn’t manage to stay inside? If he came out with me, he wouldn’t even be a premature baby. The obstetrician and midwife might not even notice him.

He just waved his bud of a hand dismissively at my anxious questions. I was not to worry, everything was taken care of. He was always to the point when important matters were involved.

He was able to console me in that regard, but not about our parting. It was clear to me that Fate was behind the whole thing, but this didn’t make it any easier for me. Is there anything harder than taking leave of your twin brother? It’s like parting with your own self. But we’re not parting, he assured me. I won’t die, I’ll just get smaller. And I won’t go anywhere. You’ll be able to hear my heart whenever you put your ear to Mother’s stomach.

Just as he promised, the delivery went smoothly. For both of us. And for Mother too. In spite of her exhaustion, she was cheerful, and everyone misunderstood my cries. They shouldn’t be criticized for this, though. Every

baby cries at birth. How could they suppose that my tears were from parting with a brother no one knew about?

Although quite weak, ever since Mother first drew me to her breast I made every effort to put my little head on her stomach. At first she found it unusual and brought my head back up, but she got used to it over time. Particularly since I fell asleep the fastest in that position. And what mother wants to have trouble putting her baby to sleep?

My brother’s heartbeats, although barely audible, had a calming effect on me. We were no longer touching like before, but we were separated by the very small partition of Mother’s skin and a thin layer of fat. You could even say that we were still connected. Just like when we were happily inhabiting the same body.

Well, no idyll is ever of long duration. This one ended when I was four and a half months old. Not all at once, but over three days. At first I thought there was something wrong with my hearing. I had to press my head harder and harder into Mother’s soft abdomen to make out the sound of the tiny heart inside.

And then with horror I realized the truth. My brother had set out on the final minimization. At the end of the third day I could no longer hear him regardless of my efforts. And I couldn’t try any harder because Mother’s stomach had started to hurt from all my pressing, so she held me away from it.

Inevitably I fell ill. Many adults, let alone a baby, would have been crushed by such a trauma. My illness caused the doctors great concern. No one could discover its cause. They examined me thoroughly and tried various therapies, but nothing helped improve my blood count and bring back my appetite. And pull me out of my apathy.

I got better at the beginning of my sixth month. They thought it happened all by itself. The doctors couldn’t find the reason for this spontaneous recovery either. But it caused them no concern. Who cares why things are going fine, while they are? They didn’t miss a chance, however, to give themselves credit for this favorable turn of events.

And the credit was all mine. I simply started to look at things rationally. At that age a lot of maturing happens in a month and a half, even when you’re sick. Or rather, particularly then.

All right, I can’t hear my brother’s heart anymore, but that doesn’t mean, as he himself said, that he died. He’s still alive in Mother’s womb, he just got smaller. To the quantum level. Maybe even below it. Indeed, miniaturization truly knows not boundaries. And there, as we all know, it’s completely immaterial to talk about sound, so there isn’t any beating.

This silence from the womb actually came at just the right time. I couldn’t keep my head on Mother’s stomach forever. What would that look like? Babies have to be weaned sooner or later. It’s a bit hard in the beginning, but then they get used to solid food. And start enjoying it.

I rarely think of my brother today. You know how it is: out of sight, out of mind. I only remember him when I look at this photograph, and I don’t do that very often. You can’t see him, but I know he’s there. And I hope he’s well wherever he is now. In any case, it was his own choice.

I don’t know whether I’ve convinced you, though. I’d say I haven’t. Congratulations on the quantum world, I can almost hear you thinking, but if a person doesn’t believe their own eyes, whom will they believe and why? Appearances can be deceiving, but not that much. The picture only shows an ordinary young mother with babe in arms. And since the baby truly doesn’t look like me now at this advanced age, how can you believe me when I say it’s me? Particularly since my penchant for wild ideas earned me a bad reputation long ago. I’m even trying to make a living out of it.


Zoran Živković is a writer, essayist, researcher, editor, publisher and translator from Belgrade, Serbia, where he still resides. He is the author of seventeen works of fiction including The Fourth Circle (1993), Time Gifts (1997), The Last Book (2007) and Escher’s Loops (2008). Živković has been nominated for several awards and received the Miloš Crnjanski Award, World Fantasy Award, the Isidora Sekulić Award, and the Stefan Mitrov Ljubiša Award for Life Achievement in Literature. His work has been translated into more than twenty languages.

“The Last Great Clown Hunt” Wednesday, January 7th, 2009

THE LAST GREAT CLOWN HUNT
by Chris Furst

copyright © 2008 / May not be reproduced without permission

(from Weird Tales #352, Nov/Dec 2008)

[ Download this issue as an ebook ]

It was clown-hunting weather. The leaves of the box elders were beginning to turn in the draws that cross-stitched the Musselshell River country. Frost fastened on the dry summer grass. I rose early one morning and marked a pair of trumpeter swans forging south under a bank of fast-moving clouds, their calls torn away in the ragged wind that smelled of burnt sugar. It was time to gather the musty costumes, clean the slide whistles, bag up the guns, and spin the lures of cotton candy.

My name is Jack Wilson. Ever since back in ‘22 I’ve worked as a guide, leading wealthy hunters who hope to bag the coveted Three Ring Slam: a trophy clown from every major tribe. Along with my tracker, stone-faced Keaton, I’ve hunted renegades from the Montana reservations every fall and smeared the faces of fat city men with the ritual blood and greasepaint from their kills. But fifteen years is a long time in this game, and the prey dwindles every year.

It wasn’t always that way. My father was the first clown agent for the Emmett Kelly Reservation. I remembered how he would take me and my brother, Billy Boy, along on his visits to the clowns, and how we watched that day when the tribes first arrived. Wave upon wave they came, the Kellys and their subsidiary tribes, the Chuckos with their whirling carousel hats, the yipping Zipps, and a small band of JoJos, spreading through the valley on their wagons and elephants. It seemed there was no end to them. Hundred-year-old flivvers flopped in on limping tires, disgorging scores of clowns. Bedraggled jugglers held dirty ninepins limp by their sides; their faces brightened a little when they saw us rubes. Two weary elephants, Dinky and Snaggletusk, dragged the steam calliope into the shade of a solitary cottonwood.

Billy Boy gaped at the straggling procession and toddled after the shaman, a gaunt giant sporting a battered top hat.

Chief Hairy Eyeball jolted up in his square-tired Pierce Arrow to parley with my father. Hairy Eyeball stood proud in his baggy brown pants, greasy shirt and filthy waistcoat, his wig and tie askew, his shabby derby hat set at a careless angle, and three days’ stubble shading through his makeup. He tripped on his floppy brogans and somersaulted to attention.

“What the hey,” he said. “Put ‘er there.”

Father reached out to shake hands and received a jolt from the ceremonial hand buzzer that sent him sprawling in the dirt.

“Allow me,” said Hairy Eyeball. Bowing to dust off Father’s suit, he squirted him with a lapel flower, then spent a long minute pulling a knotted rainbow-print kerchief from his coat pocket. He wiped Father’s face, and stuffed the kerchief into his sleeve.

The chief signaled that the preliminaries were over with a mighty blast on the klaxon.

“Well met, John Wilson.”

“Well met, Hairy Eyeball.” Father turned to the throng and welcomed all of the clowns to the reservation.

The Chief chuckled and, speaking through a megaphone, launched into his patter.

“Ladies and gentlemen, boys and girls, this here’s gonna be our headquartersfor the duration.” A chorus of slide whistles drew out a mournful, minor tune. Hairy Eyeball raised his arms and gestured for silence.

“I know we’ve given up a lot,” he said, “but from what I can see, this looks like our last best place. Come on, let’s get to work. We have a circus to run! And for Zoot’s sake, water those elephants!”

The calliope hissed to life, and the clowns passed the cigar butt before they erected the big top and the sideshow tents. Even in defeat they were magnificent.

* * *

My wife, Lucy, was caught up in the Portland Massacre. She was working as a mime when a berserker clown cadre grabbed her off the street to use as a human shield. I never knew if it was the police or the clowns who’d shot her, but after Lucy’s death, something changed in me and I moved back to Montana.

There were some guides who used laugh tracks, bicycle horns, amplified kazoos, and calliope detectors, but I was determined that my clients earn their kill in the old way. Classic guns, nothing automatic, nothing high-tech. A minimum of sound effects.

One had to be careful to make a clean kill, too, for a wounded clown could turn on the hunter or, worse yet, maul a client. I carried a rifle and a revolver for just such instances.

And I brought down renegades for the government, but I was developing less and less taste for the work. Entire tribes of clowns had been wiped out: the Bartys, the Kokos, the Rootie-Kazooties. Now even the proud Karamazovs and the once-numerous Bozos were reduced to bands of pitiful remnants that eked out a living as exhibits in Ripley’s museums across the country.

* * *

I was throwing bundles of bottle rockets into the back of the pickup when Crosswhite, the new regional clown agent, called from Bozeman.

“Wilson,” he shouted, “there’s been a breakout!”

“Don’t see how it’s any of my business, Crosswhite.” There was no love lost between us. Crosswhite was CEO of the Nimrod Channel and an ambitious, mean lickspittle, fresh into a D.C. political appointment and sent by the Interior Department to deliver the clowns an ultimatum: Hand over the renegades or see their winter supplies cut off.

“I can make it your business,” he said. I heard the smile in his voice. “Billy Boy’s gone greasepaint and is leading the renegades. I want you to bring him in.”

“What’s my brother got to do with it?” I said. “He’s a performance artist in Santa Barbara. Bullshit. Let somebody else clean up your mess.”

Billy Boy had always identified with the clowns more than I had. I admired clowns for their anarchy, for their free lives on the prairie and under the big top, but for Billy Boy it was love. From the first day he met them, when he rode with the shaman atop Snaggletusk, he knew that he belonged with the clowns. At sixteen he underwent the secret initiation rites and became a member of the Emmett Kellys.

How far had he gone this time?

“Come on, Crosswhite, I doubt Billy Boy would even show up in Montana, let alone lead some breakout.”

Crosswhite laughed. “Wilson, are you listening? They’re grabbing hostages. Your brother’s in trouble up to his big red wig. The Kellys made him their new chief.”

That stopped me for a moment. “Wait, that’s impossible,” I said.

“Wilson, Hairy Eyeball is dead.”

The cold wind cut through my parka.

“Billy Boy and that crazy old shaman, Runs With Scissors, they’re going around like the Messiah and John the Baptist, talking to the other tribes, preaching the stilt dance. They think the clowns can recover their old power.”

I had glimpsed the stilt dancers only once. Billy Boy and I were watching them through a gap in the big top when the shaman caught us. He ran me off; he allowed Billy Boy to stay. I still had a hard time picturing Billy Boy as one of them. To me he’d always seemed like a clown wannabe.

“And he has Catlin,” said Crosswhite.

A year ago, Keaton and I had accompanied the artist Fitzhugh Catlin on a last-ditch expedition to capture the major clown chiefs in paint before they died out. Each day for three months Catlin set up the blocks of velvet on his easel and painted the clown chiefs, barnums, and ringmasters I’d forced to stand before him. We lived in tents and wagons, shared the clowns’ simple but hearty farethe corn dogs and the cotton candy, the Cracker Jacks and sno-cones, the buffalo wings and deep-fried candy bars. We drank deep from barrels of pink lemonade or tipped back gulps of Mickey’s Big Mouth. I grew strong and content on the food and the outdoor air, but I knew, as we followed the clowns on their way to winter quarters, that they suffered my presence only because my brother had taken the initiation.

“Can’t the feds handle this?” I asked.

“Abetting a breakout, hmm, that’s good for about ten years,” he said. “Of course, we could also sell the ranch pour encourager les autres.” I heard him shuffling some papers. “And there is the tiny problem of your contract. Pinchot was far too lax with you, Wilson. You still owe us a year out of your life.”

I looked south. A figure was running at a steady pace along the river road, kicking up dust. It had to be Keaton. I recognized his skinny frame even at a distance.

“All right. What do you want?” I sighed.

“Bring in Billy Boy. Minimum violence, minimum fuss. And I get to film.”

* * *

Let me tell you about Keaton. The first thing you noticed was his dour, impassive expression that never changed, even in battle. Keaton he had no first name as far as anyone knewwas the best tracker in the business, able to sniff out circus smells from miles off: roasted peanuts, cheese popcorn, cotton candy, stale beer, moldy canvas, elephant dung, and the blood trail of killer clowns. If a clown put on a polka dot, Keaton knew about it. If a motorcycle clown gelled his liberty spikes, Keaton caught it on the wind. The clowns considered him a traitor for helping the hunters, and made no secret of marking him for special torture if he were to be caught.

He was also remarkably brave. During the brief Clown War he distinguished himself when he carried Major Vegas from the field at the Battle of the Little Big Top. I’m told that the savage Kokos counted coup on Keaton more than sixty times, yet he never faltered.

I trusted him with my life, in a bar fight as much as in the hunt. Once, we went to San Francisco for some R&R, and one night we took in a show at a comedy club. Maybe we were making a mistake. At his lowest point, Keaton had worked as a rodeo clown in Sawdust Pete’s Wild Clown Show, but had quit in disgust. Maybe I should have paid attention to the twitch at the corner of his mouth. Both of us had been drinking, enjoying a tour through the beers of the world, when the first performer took the stage. I don’t know what was so disappointing about the show, other than the fact that it was a collection of rimshot jokes and jousts with hecklers. I so wanted the comedian to wear greasepaint, a whirligig hat, a bulbous nose, and floppy shoes. Our mood grew ugly, and I had to hold back Keaton from assaulting the headliner, an overpaid, over-curled, over-dyed, red-haired young man in a horizontal-striped shirt. The club’s bouncer punched Keaton, but my tracker merely licked away the trickle of blood from his lower lip.

Keaton shielded his eyes with his left hand and peered intently toward the back of the club. He pivoted to face in the opposite direction and shielded his eyes with his right hand, staring out into the street. He removed a large title card from inside his shirt. In elaborate woodcut lettering it read, GIVE UP YET? The bouncer was infuriated and swung at Keaton again, but Keaton feinted right and the bouncer punched the bricks instead. We made our exit.

* * *

Keaton and I prepared to bring in Billy Boy and rescue Catlin and the hostages. I put on a belt of false noses and a polka-dot camo shirt. I wore a new orange wig so I could approach clowns without spooking them. Keaton removed his porkpie hat, dipped his index finger into a jar of molasses, drew an oval on the top of his scalp, and clamped a crumpled, bloodstained war boater on his head. We were ready.

* * *

We set out before dawn for the camp of the Emmett Kellys. As we came over a rise I saw the big top, a disheveled memory of the magic I remembered from childhood, its canvas torn and stained with mildew. Greasy smoke curled from under the tent flap. Dinky the elephant, emaciated, held his trunk in his mouth and shook his head from side to side while doing a mad little shuffle at the end of his chain. He had worn a circle three feet deep and had rubbed the skin raw on his trunk. Snaggletusk’s skull and twisted ivories stood guard above the entrance to the funhouse. Faded wigs hung from the eaves.

“Are you getting this?” Crosswhite asked the cameraman.

I warned them all to say nothing until Catlin and the other hostages were well away. I cared little what happened to Crosswhite, but I felt uneasy about endangering the camera crew.

A hostile reception party met us in the center of camp. Kelly Two-Step blew a blast on the air horn.

Billy Boy came out of his tent to parley. I hadn’t seen my brother in seven years and was unprepared for the changes in him. In addition to the Kellys’ sad clown makeup, he had pasted decals of the decimated tribes on his forehead.

“What the hey, Billy Boy.”

“What the hey, Jack. Long time.” Billy Boy crossed his puffy sleeves over his chest and examined us. “You bring guns and cameras. Which one will you shoot first?”

“I hope it doesn’t come to that,” I said. “Let the hostages go, stop the stilt dance, and we’ll give you safe conduct back to the reservation.”

“A lot of conditions,” he said. “We’ll see. Let us parley.”

As he motioned me toward his tent, Billy Boy caught sight of Keaton and stopped.

“It’s bad enough that my own brother deals in death,” said Billy Boy. “But you dare to bring the traitor Stoneface Keaton to my camp.” He spat at the tracker’s feet.

Brazen young clowns approached Keaton and honked their klaxons in his ears and threw confetti in his eyes, but he stood imperturbable as ever. Others surrounded the cameraman and the soundman and somersaulted over their equipment bags.

The tallest of the Kellys, the old shaman Runs With Scissors, strode from the funhouse and wrenched away Crosswhite’s leather bag. Velvet sketches for Catlin’s series on the extinct tribes spilled to the ground.

“Ho ho ho!” said Runs With Scissors. “Lookee what we have here, boys and girls.”

An excited honking arose and just as quickly died. The Kellys silently passed the velvet boards among themselves. Real tears rolled down the painted cheeks they dabbed with giant handkerchiefs.

Billy Boy held the sketch of Hairy Eyeball at arm’s length. He gazed at the old chief’s picture so intensely, I thought he was trying to x-ray it.

“Come with me,” said Billy Boy. “I want you to see something. The camera crew stays outside.”

We entered the big top, followed by Runs With Scissors. Inside, light slanted into the tent through a rent in the roof. Catlin was lashed to the center pole, encased in a thick layer of pink cotton candy. He looked like a giant cocoon with a man’s head sticking out. Stilt dancers whirled around him in the center ring and squirted him with water rifles. I don’t know how he’d managed to withstand such torture, but he was alive.

Under the disapproving eye of Runs With Scissors, we sat down in the ringside seats.

“Good God, Wilson,” whispered Crosswhite. “You’ve got to stop this.”

Keaton flashed a title card at Crosswhite: SILENCE!

“Let Catlin go, Billy Boy,” I said.

Billy Boy ignored me and selected a pair of red and white stilts from a bundle near the seats. He tied on the stilts and waited to enter the dancers’ circle. At a signal from the shaman, the dancers parted.

Billy Boy was transformed the moment he stepped into the ring. He led the intricate steps of the stilt dance, shuffling clockwise then counter-clockwise around the center pole, circling closer to Catlin in ever tighter rings, faster and faster, all the while sustaining a tremolo on the slide whistle.

Billy Boy danced for maybe an hour before corkscrewing out of the circle. The dancers followed him and rested against poles and guy wires.

“I had a vision as I danced,” said Billy Boy, untying the straps and removing his stilts. “This artist’s death would serve no purpose. We cannot win this way. Let him go.”

Angry shouts rose from the stilt dancers.

“Power demands a sacrifice,” said Shot From Cannon.

“Catlin steals souls,” said Reedy Pagliaccio. “He must pay with his life.”

Runs With Scissors, clearly upset by Billy Boy’s decision, but deferring to the chief’s authority, was trying to hold back the more volatile stilt dancers.

“Cut him down,” said Billy Boy. “I have spoken.”

Keaton and I broke the hard casing of cotton candy and cut Catlin down. He sagged between us.

Billy Boy led us from the tent. The crowd of clowns murmured angrily when they saw that we had Catlin.

My brother tried to calm the Emmett Kellys, but slapsticks and slide whistles began to rain down upon us.

“What about the other captives?” demanded Crosswhite.

Keaton turned to slip Catlin away from the camp, but a small knot of clowns in unfamiliar dress blocked them and began launching themselves off the teeter-totter, all the while keeping a flight of ninepins in the air.

Crosswhite aimed at Billy Boy and fired. The bullet grazed the chief’s scalp. The clowns surrounded their leader for a moment, then turned as one, whooping and honking, and attacked us. We ran downhill toward the cover of the trees.

I looked back and saw Runs With Scissors tear off his ringmaster trousers. The shaman was strapped into a giant pair of red scissors. He stalked to the funhouse and pulled on a tasseled cord. The false front of the funhouse fell forward, revealing the hostages in cramped cages behind a display of fireworks. Clowns stuffed them twenty to a Volkswagen Beetle and sent them hurtling towards us.

Keaton held up two title cards: WATCH OUT. PINCER MOVEMENT. But it was too late. Swooping down the brow of the hill, a unit of berserker clowns snapped giant clacking pincers. They pierced the unfortunate camera crew again and again.

Only Keaton’s quick shooting kept us alive.

I don’t know how we did it, but we began to get the better of them. Dead and wounded clowns littered the earth. Runs With Scissors was gravely wounded and his scissors shattered. A handful of stilt dancers and berserkers gathered around him, chanting the death dirge.

The old shaman pulled a Zippo lighter out of his hat, flicked it open, and tossed it into the fireworks. “Under the big top, brothers! Under the big top!”

Keaton and I looked at each other. For the first time I could recall, he raised his right eyebrow. In his hand was a title card: DUCK!

The funhouse burst asunder in a shower of jagged shards and shrieking rockets and fiery wigs. Shot From Cannon rode the back of a Red Molotov before he, too, blew up in the afternoon sky. Snaggletusk’s skull landed five feet from our hiding place. The big top caught fire, its flaming canvas moaning like a dying animal. Random bottle rockets ignited the sideshows, and the entire circus burned to the ground. Dinky, unchained, fled past us into the badlands.

We limped back to our field camp, a clearing in a glade of aspens. We fell exhausted, and lay in grim repose.

* * *

Jack!” Billy Boy shouted from the aspens. “See how many fine clowns have died today. Why do we do this?”

“You’re not going to negotiate with him, are you?” said Crosswhite.

“Come into the clearing and we’ll talk a while,” I shouted back. I walked out toward the edge of the trees and waited for Billy Boy. He was dressed in his full regalia as chief of the Emmett Kellys. A shot fired behind me. Billy Boy was wounded in the shoulder, and he ran into the cover of the trees.

I turned.

“Crosswhite, you damn fool!”

We stood glaring at each other, our guns raised, until Keaton intervened.

He withdrew a thick stack of title cards from his shirt, fumbling with them before he found the ones he wanted.

WAIT, read the first card. I’LL GO AFTER HIM, read the second. Both cards had bullet holes in the top left corner.

Ten minutes later, Keaton came out of the aspen grove dragging Billy Boy on an orange sleeping bag and stopped beside our camp in the middle of the clearing. Blood seeped from an ugly wound on Billy Boy’s left shoulder. A shallow groove ran red where a bullet had grazed his skull, and his blood-damp hair hung down over his right eye. Kapok leaked out of rents in his sleeves. Keaton leaned Billy Boy against some duffle bags piled next to the lean-to.

Crosswhite came forward, his rifle pointed at my chest. “He’s mine, dammit! Get out of the way, I’m taking the last shot.” He raised the old Winchester and motioned Keaton to step aside.

Keaton placed himself between Billy Boy and Crosswhite.

“Wilson,” barked Crosswhite, “control your man!”

I stepped closer to Crosswhite and nodded to Keaton.

“Why don’t you shoot me, too, Crosswhite? Because you’ll have to, you know. There aren’t any cameras now to catch your heroics, so why don’t you just go ahead?”

“I don’t care if he is your brother. He’s vermin.”

I caught Crosswhite on the bridge of his nose with the butt of my rifle and sent him sprawling in the greasy grass. Then I picked up the antique Winchester and fired a shot into the ground by his head. Crosswhite, groaning and holding his shattered nose, screamed and tried to roll away.

“Bastid,” he sputtered, spitting blood and broken teeth.

I levered out the rest of the bullets, gripped the barrel, and brought the stock down again and again on a granite boulder until the wood crazed and flew off in long splinters. I jammed the muzzle into a crevice in the rock and jumped on the barrel, bent it out of true, and tossed it into the woods.

Keaton motioned me toward Billy Boy, who sat propped against Crosswhite’s gear.

“Hey, Billy Boy.”

He popped open one puffy eye and stared upward. He chuckled for a moment, then a spasm went through his body and he coughed up bright arterial blood.

“Jack, it’s you,” he whispered when the coughing stopped.

“It’s all right, Billy Boy.” I sat down and cradled him in my arms. “Try not to speak.”

He smiled weakly under the greasepaint frown. With his wounded right hand he fumbled in his pants pocket and pulled out a two-foot comb, a rubber chicken covered in blood, a leaky can of silly string, a strand of knotted scarves, another strand of scarves, a rusted slinky, a ball of purple Play-Doh, yet another strand of scarves, and finally the dented klaxon that was his badge of office. “Here, I want you to have it,” he said.

I took the klaxon from him bulb end first and squeezed out a loud Ah-oo-gah that echoed through the clearing.

Billy Boy was breathing like a wheezy concertina.

“You’ll take me to the big top, won’t you, Jack? They have clowns at the big top.” He sighed for a long count, and I knew he was dead.

I pressed his head against my own, smearing my face with blood and greasepaint.


Chris Furst is a California nomad who lives in upstate New York. He is a graduate of Clarion West. His work has appeared in Talking Back: Epistolary Fantasies and Captain Kidd Monthly. He once tried to join the circus, but they wouldn’t have him.

Trick or treat: “Seven Shades” Friday, October 31st, 2008

SEVEN SHADES
by Karen Best

copyright © 2008 / May not be reproduced without permission

(Weird Tales Spam Fiction Contest
Honorable Mention, inspired
by the spam email headline
“Get your Teeth 7 shades Whiter!”)

 

Helena used to love tea. But that was before the whitener and this government facility where Scott watches her sip water through a straw attached to her mouth appliance. They both know it’s there to protect them, but still, he tries to remember what her lips looked like and can barely recall a plump lower curve.

The building has black plastic on all the windows. Helena detaches the straw from the appliance and picks up her tablet. She taps out a message and shows Scott the screen. This is what they call a conversation. She wants to know if they’ve found a cure yet. This appliance thing sucks. She just wants to eat an apple for once, instead of applesauce.

Scott is still picturing her incandescent teeth shining like headlights as she buries them in an imaginary fruit when he realizes he has no idea how she brushes her teeth now. It’s only been two months since the doctors came to bring Helena here, and already he’s forgotten what her smile looks like. There is a thin line of light leaking from the appliance that now blocks the glow emanating from her mouth. The doctors here have warned him that her teeth are not to be looked upon unless he wants his eyes to boil.

Helena used to be self-conscious about her smile. Years of strong black tea had dyed her teeth an antique white. Now they shone brighter than flaming magnesium. The whitener had promised teeth seven shades whiter. No one bothered to ask: “Whiter than what?”

Nurses in black goggles walk past the open door. A guard in what looks like a welding mask paces in the hallway. Scott waves one of the nurses over and asks if they’re making any progress. She shakes her head. Helena makes a sound that could be a sigh, deeply muffled. The nurse tells them they’re doing everything they can. His distorted reflection in her black goggles stares back as she says this.

A cry echoes down the hall, and the nurse goes running in its direction. The guard says something about the third one this week. In the next room, another patient has pulled off his light-absorbing appliance and looked in the mirror. The nurses have the guy on a gurney, but Scott knows that his retinas have already been burned away. A shiver pours down Scott’s back as he looks at Helena. The goggles he was issued by the nurses lie next to her cup of applesauce. How easy it would be to slip off the appliance and see her smile again, and for the last time.

He reaches for her, and she must think it’s to comfort her, because she leans in. Once his arm is around her he lets his hand rest on the appliance’s latch, the tension in his fingers anticipating the moment it will drop away and annihilating brilliance will stream from her mouth.


Karen Best is currently working as a librarian while completing her MFA in creative writing. Karen’s work has also appeared in ETC. When she isn’t reading or writing, she enjoys making steampunk jewelry out of tired machinery.

One-Minute Weird Tales: vol.0 no.1 Thursday, October 30th, 2008

Author J.M. McDermott, whose WT print debut is coming up in our Poe Bicentennial issue in 2009, kicks off our brand new series of “One-Minute Weird Tales.” Embed away!

“Tom Edison & His Telegraphic Harpoon” Wednesday, September 17th, 2008

TOM EDISON AND HIS TELEGRAPHIC HARPOON
by Jay Lake

copyright © 2007 / May not be reproduced without permission

(from Weird Tales #345, June/July 2007)

[ Download this story in PDF ]

Tom Edison stared out the viewport at the rolling hills of the Iowa territory, just within Missouri country. The horizon moved with a lurch-and-swoop not unlike the boats on the Great Lakes in choppy weather, though today’s brilliant sun and flawless sky belied the comparison.

The steam ram City of Hoboken moved like a drunken bear in all weathers, pistons groaning with the pain of metal as the great machine walked the prairies.

Behind him, his printing press chunked through another impression, Salmon Greenberry grunting with the effort. Salmon, Tom’s freedman friend and colleague in experimentation and business alike, though they were both barely sprouting beards yet.

Boys in arms, adventuring together across the West. He resolved that he would someday write a book. If one could ever send communications across this benighted country.

“The problem with the telegraph,” Tom said slowly, the idea unfolding even as he spoke, “is that one cannot run the lines west of the Mississippi. Those damnable Indians, or worse, Clark’s Army, just pull the copper down again.”

There was a freshet of ink-odor in his nostrils, and barely audible, the damp tear of a sheet from the stone. Tom’s ears were never the best.

Salmon said something unintelligible, grunting with his labor, then the words segued into meaning. “…help what they are. It’s the West, Tom.” There was a familiar warmth in his friend’s voice, in which Tom sometimes to his secret shame found comfort in the clanking, heaving darkness of the steam ram during prairie nights.

Tom snorted away the reverie and Salmon’s suggestion together. “People have been using that excuse since Jefferson’s day. Apologists for spiritualist madness, with no understanding of or interest in Progress. This is a better world than that, amenable to logic and sweet reason.”

Another thunk of the press. Another grunt from Salmon. “As you’ll have it, Tom.”

Though he still had not turned to face his friend, even with his failing ears Tom could hear the grin. He smiled back. Another secret shared.

A shot echoed from above, in the watchman’s post, followed by the clang of valves as the captain shunted power to the turrets.

“Attack,” shouted Salmon.

Tom whirled to help his friend latch down the printing press, then they both grabbed the repeating rifles racked by the hatch of their little work-cabin, heading for battle stations. Tom thought he heard the crackle of distant gunfire, but it might have been his own pulse.

* * *

The weather deck of the City of Hoboken was a good forty feet above the solid Iowa earth. “Deck” was perhaps too kind a word for what was really just the plank ceiling of the bridge deck below, surrounded by a low railing with built-up firing points for prone riflemen. It was perhaps nine feet wide and twenty feet long, and featured only the watchman’s post, like a preacher’s lectern set amidships with no congregation but the distant horizon and the wheeling sky.

Tom and Salmon took up their firing points on the starboard rail, up top with the other useless supercargo and oddlot apprentices. Those with real worth in a battle manned the boilers, or the turrets, or worked the bridge deck. The City of Hoboken’s eight dragoons, eternally dissolute masters of pasteboard wagering, were certainly down in their lower balcony, ready to leap, shoot, or toss grenadoes as circumstances dictated.

The weather watch was for anyone with hands to shoot and nothing else to offer in defense.

“Where?” shouted Salmon. Tom watched his friend, waiting for the other boy’s eyes or rifle barrel to move in response to whatever the deck watch advised.

Then Salmon rolled onto his back, snappy as a scalded cat, and stared skyward.

Oh, no, thought Tom, but he did the same.

Something very big was silhouetted against that perfect prairie sky. It was shaped like a man, without the wings of one of the angels of the mountain West, and appeared to be carrying a cannon.

“What…?” he whispered aloud. Tom had read the dispatches, those that were made available in Port Huron, and Chicago, to a fast-talking young man like himself. Not much was published about angels, but he’d even seen the Brady daguerreotypes from the Battle of St. Louis the previous year.

Angels had wings. Everything that flew had wings. Save one rumored monster out of the deepest Western mountains.

Tom brought his rifle up to point skyward, stepping it against his body like a boat’s mast. He pulled the trigger, thinking, Nephilim. The great avengers. Nothing can kill a Nephil. And he’s above the elevation of any of our big guns. It was an offense against man and nature, this flying thing, and Tom swore out the measure of his fear. He had not come West to die at the hands of an impossibility.

His shot was the harbinger of a hailstorm of firing, the weather watch loosing its useless bullets at a thing above which laughed in a voice made of thunder, earthquakes and simple, gut-jellying terror.

* * *

The captain made a quick, hard turn, taking the City of Hoboken toward the dubious shelter of a tree-lined watercourse. After their initial orgy of firing, the weather watch calmed down a little as the Nephil banked above them.

It was definitely carrying a cannon, Tom realized. Something long and sleek, perhaps one of the new Parrott rifles. He couldn’t imagine what need a supernatural being would have for such a thing. Supposedly the Nephilim could call lightning from the summer sky and break the backs of angels.

Did he have anything below that would entice it, entrap it, somehow save this day from the bloodbath which was surely coming?

In addition to hosting his half-penny newspaper, The Trans-Mississippi Monitor, the City of Hoboken was also home to something of a laboratory which Tom had accumulated. The captain tolerated Tom and his equipment in exchange for mechanical services rendered and the cachet of having his own newspaper on board. The prestige of a working press allowed him to charge higher fares for passengers heading for Des Moines, Council Bluffs and other points on the City of Hoboken’s usual routes Westward toward the distant riches of the Front Range in the Colorado country.

As part of his laboratory, Tom had on board a store of chemicals, machine tools, and curious items of his own devising. But what could dispatch one of the Nephilim? Legendary as they were, there were no whispered tales of the mighty monsters’ defeat in battle.

The attacker circled lower, lazy and slow, following the City of Hoboken through the great steam ram’s course changes. At least it had not set to killing them yet.

What could he do? Tom ran through a rapid mental inventory of acids, caustic chemicals, electrical jars, sharp tools, mechanisms.

There was the harpoon, he realized. The watchman’s post had a pintle mount and a steam valve for that implement — designed originally for fighting off the mastodons, which sometimes crossed the Missouri River to range the Iowa prairies.

He could surely devise a suitable load to burst on impact with the attacker.

Tom handed Salmon his rifle and jumped to his feet. “Bannock,” he shouted to the day watch. “We need to unship the harpoon rig. I can fight this thing!”

“You’re buggered as a limehouse rat,” said the watchman, peering at the Nephilim through a telescope. But as Tom scrambled down the hatch, he saw Bannock whispering into the speaking tube.

* * *

Tom was trying to quickly, very quickly, assemble a caustic load fit to drive off something as great and terrible as a Nephil. Tom didn’t believe for a moment that God had sent the terrible creatures to the Mormons, but nonetheless they were here in the world. Even Nephilim had eyes. And he had a number of nasty acids fit to burn even the most resistant membrane. His science would defeat this treacherous superstition.

Then his gaze lit on the Planté-Fauré battery cell. It was a new device, recently shipped out at great cost from New Jersey. Tom had made some modifications to it by way of accumulating ever more electrical potential, hoping to produce a fearsome spark from the thing as part of his ongoing investigations into the practical applications of such energies.

What would a great electrical discharge do to the flying menace? It might be as good as a strike by lightning.

Tom abandoned his acids and grabbed the loose cable end off a spool of telegraph wire. It was four-stranded copper, coated in gutta-percha then wrapped in sealed hemp yard — the best his limited money could buy, all the way from Buffalo. He dragged the end into the passage, letting the cable unspool, and shouting for Bannock or Salmon to come help as he worked to pass the copper cable up top.

Once the weather watch had hold of the cable, shouting and excited, Tom grabbed a ball-peen hammer and a set of staples, along with his tool bag. He nailed down the loose end off the spool center, allowing himself some slack, then scrambled up the ladder, past the writhing snake that was his cable.

On the weather deck the breeze was stiffer. Cottonwoods swayed around the steam ram as the captain took them further down into the creekbed. Tom knew their search for cover was in vain — the City of Hoboken was over four stories tall. Nothing could hide such a magnificent machine, such a stout work of Dame Progress. And certainly not out here on the Iowa prairie, where their pursuer circled high above, a vulture waiting to descend.

He set about lashing the free end of the cable to Bannock’s harpoon, again leaving himself slack. A copper point on the head would be perfect, but Tom figured he could make do with the steel.

When the line came up short and the nervous weather watch huddled around him, Tom pulled himself away from his work on the harpoon shaft.

“It’s like this, men,” he shouted. He hated speaking, hated rousing men like this — that was the job of officers and shop foremen, not a thinker like himself. Especially when he was the youngest man on the deck.

Salmon gave Tom a big wink.

“That up there’s one of the Nephilim!” Tom pointed at the sky. “Some folks say the Mormons raised ‘em from a Bible. Some folks say they’re Chinee magic, brought across the sea by the Russians. Well, I don’t care!” His voice was a bellow now. “It’s here a-hunting us, and we’re fixing to drive it away. But you each have a part.”

Eight frightened men loomed in closer. A voice squawked from the cupola’s speaking tube, but even Bannock, the day watch, ignored the captain in favor whatever spectacle Tom was about to put on in the face of life and death.

“Very shortly I’m going below,” Tom said in a normal voice. “I’m going to hook this harpoon up to a cell battery. Once I done that, don’t nobody but me or Bannock touch nothing here. When I give the word, you all each start shooting again for all you’re worth. We must draw that thing down close, so’s Bannock can shoot it with my wires. Then…” His hands slammed together. “Boom.”

There was a ragged cheer. Tom took a simple knife switch from his toolbag and hammered it into the deck next to the hatch coaming. He cut his cable at the taut end, and wired it into the switch, careful to leave the switch open.

“Don’t touch nothing,” he said, wagging his finger with a significant look at Bannock, then ducked below again.

* * *

The City of Hoboken continued to lurch over rougher terrain, swinging back and forth to avoid the Nephil. Tom’s footing was challenged in the little cabin, his glassware threatened even stowed within various leather-padded racks. He drew on his heaviest insulated gloves, and then with great care proceeded to wire the free end of the cable to the copper terminals of the Planté-Fauré cell.

He was just tightening down the second connection when the great steam ram shook with a noise that Tom felt within his bones. There was a grinding, and the deck canted off true five degrees, then ten.

Somehow the captain got the vessel back on balance, but the stride had changed — Tom could feel the difference. Where had the shot hit?

Only one shot in that Parrott rifle, he thought. Blast and damn that featherless bird, this wasn’t how men were meant to live!

He raced back up the ladder, afraid he might already be too late. Had the shot signaled the beginning of the Nephil’s attack?

The weather watch were already blazing away, their rifles and muskets wreathing the open deck with smoke as fast the breeze could carry it off. The top of the steam ram already reeked of death, and there had not yet been blood spilled.

“Not yet!” Tom shouted, but his voice was lost in the violent noise. He looked up, around, scanning for the attacker, but between the gunpowder smoke and whatever evolutions it had made through the sky, he could not find the Nephil.

Tom slapped Bannock on the shoulder. The day watch had his harpoon loaded and tracking, swinging the gun on its pintle.

“Have sight of it?” Tom asked.

Bannock shook his head.

Then the Nephil rose above the City of Hoboken’s starboard flank. The muzzle of the Parrott rifle was huge in its arms, a vast, gaping pit of death sweeping the deck as the Nephil grinned. Despite his resolve, Tom screamed, as terrified as any child.

* * *

Imagine a man tall as a telegraph pole. His eyes glitter the same bottle-green as the insulators that carry the copper-cored cables with their burden of living thought and speech. His skin is fair as an Irishwoman’s, his hair black as the heart of a Georgia cracker. He is handsome in a way that would make a statue weep, and bring any blooded solider to his knees. If this man was not terror incarnate, if he did not tower over everyone and everything in his path, he would be worthy of worship.

Instead, he is merely — and utterly — feared.

The Nephil’s smile drove the weather watch toward the hatch. Oakey Bill jumped off the port flank, arms flailing, screaming his way into the long, fatal fall in preference to being trapped amid the scrum on deck in view of the leering monster.

Tom shoved Bannock back into the scout’s cupola. “Fire it on my call!” he yelled. “Into the chest!”

“I…” Bannock was screaming, too.

Facing the Nephil was like facing a city on fire. The force of its will blazed across Tom, Bannock and the rest of the panicked weather watch. Though it was pale as any white man, the Nephil’s skin gleamed like moonlight in a graveyard. Tom felt as if he were falling forward into a city, a necropolis, a land peopled by the dying and the dead, an eternal, pallid landscape of lost memory and —

“No!” he shouted. “This is the Age of Reason.” Tom grabbed Barley by the shoulders and pulled him from the scout’s cupola. He would be damned before he would bow before the evil thing’s fearsome aspect. The harpoon could not be so difficult to fire!

“Me,” shouted Salmon in his ear.

Tom looked up to see his great, good friend shaking his head and pointing at the harpoon. “No time,” he said, then swung the shoulder brace toward the Nephil, which was already rising above the weather deck, cocking its arm to throw the Parrott rifle down upon the steam ram.

The lines were clipped into place, the pressure gauge showed a full head of steam. Tom flipped over the locking pin, aimed the steel head toward the Nephil’s vast chest, and pulled the trigger.

There was a horrendous shriek as the steam pressure discharged. The shoulder brace of the harpoon slammed into Tom harder than any punch he’d ever taken while a burst of scalding steam enveloped him from the line which sprang free with the shock of the firing.

The Nephil took the harpoon point in its gut. Even through the swirl of steam, smoke and pain, Tom registered the expression of surprise on the monster’s face as it dropped the Parrott rifle and grabbed at the shaft which stuck. Somehow the electrical cable held.

But nothing happened.

The Nephil began to laugh, an enormous barking roar like a Missouri cyclone, dark vapors gusting from a mouth that seemed to open wide enough to swallow them all whole.

What had gone wrong? Even within the agony of his steam-scaled face and hands, Tom felt a cold stab of pain and fear in his heart.

Then he realized that he had not arranged to complete the circuit.

Salmon slapped his shoulder again and pointed down. Tom leaned over, blinking away the agony of the steam burns on his face and hands, to see his friend standing over the knife switch stapled to the weather deck.

Tom nodded.

Salmon leaned down, closed the copper blade, and held on even as sparks played through his hair.

The Nephil’s laughter changed to an eerie howl. Tom looked up again, his vision growing red — why? he wondered even in that moment — to see sparks pouring from the monster’s mouth, its hands, its hair. Far more electricity than could have come from Tom’s Planté-Fauré battery cell. The Nephil raged amid a storm of blue, yellow, and green sparks, lightning snakes that writhed along its arms and legs, seared its eyes, set fire to its skin.

I have opened a circuit to Heaven, Tom thought. He collapsed against the edge of the scout’s cupola, wracked with pain of his own, wishing he could pass out. That mercy was not offered him, though his sight dimmed to red mist. Even the arrival on the weather deck of the dragoons with their grenadoes and their clattering weapons was not enough to distract him from the pain.

* * *

Tom woke to a hand upon his shoulder. The steam ram was under way once more, he could tell by the gentle swaying in his body. He tried to blink, but his eyes were gummed tight.

A bandage, he prayed.

“Can you hear me, son?” It was the rumbling, patriarchal voice of Captain Brown, the City of Hoboken’s master.

“Yes, sir.” Tom paused, gathering his fears. “But I cannot see you, sir.”

The grip tightened. Brown smelled of whiskey and old leather — the cover of a Bible, Tom thought. “We’ll find you a doctor at

Council Bluffs, Mr. Edison. Cletis reckons you’ll have your sight back. As for the scars…”

Scars? “What?”

“You cannot feel them, son? Your face and hands is burned fierce by the steam.”

Tom felt very little other than the captain’s hand on his shoulder, and that scared him.

“Where’s Salmon?”

“Your Negro friend is dead. Kilt by your telegraph gun.”

Salmon had been holding the knife switch closed when the Nephil… exploded. The copper wire must have carried some of that extraordinary energy back onto the deck and into his friend. Tom felt his eyes finally, as they filled with tears so warm he must be weeping blood.

“But you kilt one of them monsters, son. You’re a hero.”

Hero. Tom wanted to turn his face to the bulkhead and cry for Salmon. He would never hear that belovéd voice again.

But he could not. This was the century of science, and he would be damned and damned again before he would let some Biblical monsters drive America from her West. No other man would ever lose his particular friend this way again. “I will bind the West in chains of copper,” he whispered, “and make her monsters bow to Progress. I swear this.”

“That’s the spirit, son.”

Brown’s hand left Tom’s shoulder, then the captain stepped out through a hatch which clanged shut, already shouting orders.

He could not think on Salmon any further, so Tom set his mind instead to wondering how the so-called telegraph gun had been so deadly to one of the Nephilim. Could he arrange for bigger Planté-Fauré cells, perhaps mounted on aerostats, to bring the battle to the enemy? The West needed railroads and telegraph and civilization, not the wild anarchy of steam rams and Clark’s Army and avenging angels.

He would pluck the last of the Nephilim from the sky himself, and ground their cousin angels as well.


Jay Lake lives and works in Portland, Oregon, within sight of an 11,000-foot volcano. He is the author of over two hundred short stories, four collections, and a chapbook, along with novels from Tor Books, Night Shade Books and Fairwood Press. His most recent novel is Escapement, the sequel to Mainspring. Jay is also the co-editor with Deborah Layne of the critically-acclaimed Polyphony anthology series from Wheatland Press, and the 2004 winner of the John W. Campbell Award for Best New Writer.

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